Urbexart I Ausgebranntes Hotel I Lost Place I Verlassene Orte I Rotten Place I Lost place Photography I Samara Blue I My Way of Art I Dreamtime Lost Place - Burned out hotel return Actually, the first time should be something special. Follow me to my first real Lost Place. Schwindelnder Blick nach oben ... Mit geliehener Kamera, von nichts wirklich eine Ahnung hat mein Mann mir diesen besonderen Ort gezeigt. Einst ein Hotel, ein Ort der Entspannung, der Ruhe mit einem Hauch von Luxus. Der Versuch, eine wenn auch traurige Geschichte nach zu empfinden. Das Leben ist wie eine Treppe: Wir wissen nie, ob es mit uns aufwärts oder abwärts geht. (Ernst R. Hauschka) - Für diese Treppe ist es das Ende. Erste Gedanken als wir das Gelände betreten. Keine Zäune, keine Absperrungen, offene Türen und Fenster ... WAZ Jun 2009 - Einst zählte es zu den besten Adressen in Wattenscheid: Das 1975 erbaute „Hotel am Südpark”, war bekannt für sein gutes Restaurant und die attraktiven Räumlichkeiten. Vielen Bürgern ist es in guter Erinnerung – unter anderem von Hochzeitsfeiern, Jubiläums-, Kegel- oder Firmentreffen. Doch das liegt lange Zeit zurück. Der Brand am 29.11.2004 bedeutete das endgültige Aus. Seitdem bieten Gebäude und Gelände einen tristen, unansehnlichen Anblick. WAZ Juni 2009 - Seitdem bieten Gebäude und Gelände einen tristen, unansehnlichen Anblick. Ein Schandfleck in der grünen Idylle an der Höntroper Straße. Der Eigentümer erklärt, sich derzeit intensiv um eine Lösung für das Objekt zu bemühen. WAZ Jun 2009 - Haus und Grundstück gehörten zu diesem Zeitpunkt der UHB-Gruppe. Geschäftsführer Holger Burhenne: „Das ist kein Objekt, das man so schnell und einfach vermarktet .... Seriös bauen wollte das Unternehmen UHB Burhenne dort. Doch die Stadt Bochum lehnte im Juli 2014 einen Antrag auf Bauvorbescheid für ein Mehrfamilienhaus ab. Es sollte dort weiter eine Gastronomie entstehen. Im September 2014 entschied das Verwaltungsgericht jedoch, dass die geplante Nutzungsänderung auf Wohnungsbau legitm sei. Siehe hierzu unten stehenden Link Knapp 2700 qm ist das Grundstück groß. Ein Mehrfamilienhaus mit 15 barrierearmen Eigentums- und Penthauswohnungen wurde geplant. Die Wohnungen sollten zwischen 79 um 142 qm groß sein. Die Gesamtkosten wurden zur dieser zeit auf € 5,3 Millionen veranschlagt. Eine Gewohnheit kann man nicht aus dem Fenster werfen. Man muss sie die Treppe hinunterboxen, Stufe für Stufe. (Mark Twain) Auf den Spuren der Vergangenem. Luxus, weitläufige hohe Räume und große Fenster lassen einen Hauch der zerstörten Schönheit auferstehen. Und doch wird hier kein Hotel mehr entstehen. Luftig helle Senioren Wohnungen wären hier durchaus denkbar. Kaum vorzustellen, dass hier einmal Besucher auf ein Bierchen in den hauseigenen Biergarten gegangen sein mögen ... Die Markus Bau, ein Bochumer Bauträgerunternehmen, stellte dann auch im Oktober 2016 den Antrrag auf Erteilung eines Bauvorbescheides für 15 Eigentumswohnungen. Der Vertrieb der Wohneinheiten soll durch die Immobilienabteilung der Sparkasse erfolgen. Die Natur ist unerbittlich und unveränderlich, und es ist ihr gleichgültig, ob die verborgenen Gründe und Arten ihres handelns dem Menschen verständlich sind oder nicht. (Galileo Galilei) WAZ Okt 2017 - Die letzten Stunden sind für das vor mehr als zwölf Jahren abgebrannte "Hotel am Südpark" angelaufen. Ein letzter nachdenklicher Blick auf die verlassene Szenerie. Entstanden sind diese Bilder im März 2016. Ein gutes Jahr bevor die Abrissbirne ihr Werk begonnen hat. WAZ Okt 2017 - Der Abschied. An einem Freitag im Oktober 2017 rückte eine Spezialfirma an und begann sogleich mit den Abrissarbeiten. Das in den vergangenen Jahren vergammelte Gebäude im grünen Umfeld des der Stadt sollte kein Ärgernis mehr für die Anwohner darstellen. Zum Schluss verschwindet die Brandruine, die nur noch ein Schandfleck und Müllabladeplatz war, schneller als man schauen kann. So sind meine Fotos eine bleibende Erinnerung an das, was hier mal war. WAZ Okt 2017 - Nun ist der Weg frei für Schöner wohnen .. Einst führten diese Stufen empor zu einem Ort, an dem Gediegenheit, Eleganz und exquisites Ambiente herrschten. Doch einmal verlassen,ist die Unerbittlichkeit der Natur überall zu sehen. Vom Menschen verlassen und ignoriert ist sie schneller und vehementer auf dem Vorzug, als man sich denkt. Ein Zeichen, dass der Mensch nur Gast auf Erden ist? - (...) Wann wird man je verstehen (..) Joan Baez/Sag mir wo die Blumen sind ... vielleicht aber einer interessanten Zukunft entgegen gegangen. Am Ende dem Abriss nicht entkommen ... Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Streetart I Graffiti I Mural I Urbexart I Düsseldorf I Kiefernstraße I Kiefernbleibt I Kieferngoes40 I Farbfieber e.V. I Straßenkunst Dusseldorf - Pine Street return "Theycallitkleinparis" Two special streets in Düsseldorf are also making a name for themselves beyond the city limits. The feudal shopping mile Königallee and, so to speak, as an alternative to it the Kiefernstraße in the Düsseldorf Flingern district, known among other things as the street of artists. Annotation: Behind the title pictures there are more pictures and information about the artists and houses. Since research and processing are very time-consuming, the individual houses are gradually going online. More information about the history of the Pine Road (...). Kiefern Feeling Die Kiefernstraße -ein besonderer Lebensentwurf. Einblicke, Ausblicke und Impressionen aus der buntesten Straße anlässlich ihres 40.Geburtstages. Kiefern 1-5 - Respect (i.A.) 20.08. - 04.09.2004 "Schöner Wohnen auf der Kiefernstraße" Kiefern 1-5/Ecke Fichtenstraße Klaus Klinger mit dem Farbfieberverein e.V. und den Bewohnern (in Arbeit) Kiefern 7 - Drachenhaus 2008/2009 Ben Mathis Kiefern 10 - Wandbild (i.A.) September 2014 von Olga und MO5K (in Arbeit) Kiefern 11 - Käferhaus (i.A.) 2008/2009 Christian Bolte und Till Martin Köster Aktion (5x5) (in Arbeit) Kiefern 12 - Araberhaus "Ich will doch nur malen." Von einem Mann, der auszog, die ganze Welt anzumalen. Nun, er malte u.a. die Kiefernstraße 12 in Düsseldorf bunt an. :-) Karsten Breidenbroich ist MalKarsten Einen interessanten Bericht einschließlich "Making OFF" findest du hier. Kiefern 13 - Mamorhaus (i.A.) Marmorhaus MAGIC Kiefernstraße 13, 40233 Düsseldorf 51.21890° N, 6.80919° O - "Magic alias Oliver Räke ist einer der bekanntesten Writer Düsseldorfs. Begonnen hat er 1983. Inzwischen arbeitet Räke als freiberuflicher Grafiker, Illustrator und Künstler. Auch er sprühte eines seiner ausgefeiltesten „Pieces“ in der Kiefernstraße. Entstanden 1988, kann man es am Haus mit der Nummer 13 immer noch bewundern. Die Outlines des bewaffneten Characters hat er damals mit Kanüle gemalt, was er heute als ganz schön „beknackt“ bezeichnet." (goethe.de) (in Arbeit) Kiefern 15 - Hausbesetzer (i.A.) 2008/2009 Klaus Klinger "Besetzt Häuser statt andere Länder" Aktion (5x5) (in Arbeit) Kiefern 17 - Puzzle/Bauwagen 2006 Ben Mathis und MaJo Brothers Kiefern 19 - #Raster 1 Sep/2006 Ben Mathis/MaJo Brothers Was du schon immer über "Das Herrmann Gitter" wissen wolltest ... Kiefern 20 - Save the Oceans (i.A.) August 2012 Amione Rettet die Ozeane - so aktuell wie nie zuvor! (in Arbeit) Kiefern 21 - Kinderclub (i.A.) MaJo Brothers Der Kinderclub stellte seine Räumlichkeiten für die Künstler und Bewohner während der Malaktionen zur Verfügung. (In Arbeit) Kiefern 23 - Affenhaus 8i.A.) 2008/2009 MaJo Brothers Aktion (5x5) Die Affen sollen die Charaktere der Bewohner darstellen ... (in Arbeit) Kiefern 25 - Alte Meister (i.A.) Alte Meister lassen grüßen ... Ein äußerst interessantes Haus mit sehr aufwendiger Malerei. Gar nicht so einfach, genauere Informationen hierüber zu bekommen. (in Arbeit) Kiefern 27 - Überblick (i.A.) 2018 Mark Henning/MaJo Brothers Das letzte Haus in der Reihe? (in Arbeit) Kiefern 29 - Regenbogenhaus (i.A.) (in Arbeit) Kiefern 31 - Rätselhaus (i.A.) Thomas Golena Was dabei heraus kommt, wenn der ursprüngliche Entwurf sich nicht verwirklichen lässt ... (in Arbeit) Kiefern 33 - World of Peace (i.A.) 2018 Amione (in Arbeit) Kiefern 37 - Zirkus (i.A.) "The Show must go on! ... mein Arbeitstitel (in Arbeit) Kiefern - Bauzaun (i.A.) Nicht einfach eine Lärmschutzwand sondern eine lebendige Leinwand, die sich verändert und weiter entwickelt. Es lohnt sich unbedingt, immer mal wieder vorbei zu schauen. (in Arbeit) #pine goes 40 Newspaper articles can be found here (...) Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Steampunk, Adventures, Jules Verne, Steampunk Girl, Steampunk Fashion, Steampunk Feeling, Pool Dance, Rollenspiel, Cosplay, Cosplayer, DAZ Studio, digitalart, Steampunkstyle, Samara Blue, Dreamtime, My Way of Art, Lyrics, Poesie, Erotic, Sensual Soulful MINDS - Steampunk Adventures return Fantastic journeys not only to the center of the earth. When I was a fire player, the theme of steampunk was very popular for our costumes, as every dancer could put together a special, unique costume. (... ) Steampunk Beauty Steampunk-Bahnhof Steampunk Catwalk Steampunk feat. Pooldance Steampunk feat. Pooldance Steampunk meets Gothic Steampunk feat. Pooldance Steampunk feat. Catwalk Steampunk feat. Pooldance It's Steampunk Time It's Steampunk Time The saying that when goths discover the color "brown" for themselves, it's called steampunk, also has something to do with it. Ultimately, however, it is also the wonderful stories of Jules Verne that make steampunk for me. A genre in which women in Victorian style clothing also try their hand at steam and gear-driven machines. A little adventure romance and do-it-yourself mentality, which can be combined well with the topic of "sensual photography" and opens up a lot of interesting, creative paths for your own imagination. weiterlesen Did you like these pictures? Happy to leave onecomment :-). SamaraBlue - Urbexart/ lady-sahmra-photo@gmx.de Further

Samara Blue - My Way of Art I Digitalart I Streetart I Lost Place I Photo Art I Art Prints I Lyric Art I Fairytales I Motivation I Inspiration I Storytelling "My Way of Art" - Seite zum Verweilen, Stöbern, Träumen und zum Entdecken wunderschöner Bilder, Geschichten und Informationen über interessante Orte der Gegenwart und Vergangenheit. “My Way of Art”, a site to linger, browse, dream and discover beautiful pictures, stories and information about interesting places of the present and past. DigitalArt * photoArt * lyricArt Samara Blue - Kerstin Ellinghoven Wartungsarbeiten: Kurzzeitig werden einzelne Seiten nicht erreichbar sein. Wartungsarbeiten: Kurzzeitig werden einzelne Seiten nicht erreichbar sein. Wartungsarbeiten: Kurzzeitig werden einzelne Seiten nicht erreichbar sein. Content Welcome Welcome to my website! Here you will find a unique collection of beautiful images created with the 3D DAZ Studio. Immerse yourself in a world full of creative and informative photo reports on street art, lost places and other magical places, accompanied by appropriate and emotional texts. Let my stories inspire and motivate you. Discover the beauty and diversity of the world through my lens. DIGITAL ART I Storytelling in image & word created with DAZ 3D Studio (... ) ART PRINTS I Some of my pictures are available as high quality art prints (... ) CREATIVE PHOTOGRAPHY I Let me surprise you (i.A. ... ) LOST PLACE I The art of bringing old dilapidated beauties back to life (... ) STREETART KREFELD I Urban Art Gallery Krefeld 2015 - 2023 I TUBUKU (... ) STREETART DÜSSELDORF I Kiefernstraße - Core competence resistance (... ) LYRIK ARTWORK I When a picture finds words I Storytelling, motivation, inspiration (... ) PICTURE DOCUMENTATION I Interesting facts, forgotten things, magic in words and pictures (... ) New Doll Fountain Krefeld I Fashion through the centuries (...) A chance project At first I just wanted to recreate the picture with the raven that I came across in various versions on the Internet. Then I found the photographer, whose name I unfortunately can't remember, and discovered that he had depicted one and the same real woman in ever-changing combinations with different animals and post-processing. An idea that made me curious to what extent these kinds of photos could be realised with DAZ Studio... Now my calendar project is finally complete :-) All pictures are also available as high-quality art prints from the art print publisher PRINTLER. Note : In order to make the front page of my homepage clearer, I have moved all the pictures to the overview pages of the respective subject areas. Navigation is either via the brief overview above or via the menu navigation in the header. I will point out anything new in this section. Have fun browsing ... SamaraBlue - Urbexart/lady-sahmara-photo@gmx.de

Silk City Gallery 2021 I Seidenweberhaus I Perspektivwechsel Krefeld I Streetart I Graffiti I Luisa Estrada I Black an White I Blumenstraße I Samara Blue Urbex Art I Samara Blue street art - Luisa Estrada/Mexico "Flower Street - BlackAndWhite " return Anfang Honigwabe Facebook * Homepage * Instagram Luisa Estrada's street looks almost like a city within a city. Simple but concise in black and white, it presents "our flower street". Artist info (...) Anote: Theflower street in Krefeld, Luisa Estrada used a long piece of the facade as a model for her "black and white" design. If you take a look at the corner of Blumenstrasse and Moerser Strasse on Google, you can easily see their exact position. With the silk weavers who worked on their looms in the houses there, she not only creates the connection to the velvet and silk city of Krefeld, but also directly to the silk weaver house. Short interview Luisa Estrada Luisa: "Hello Kerstin, thank you for your interest in my work in Krefeld. I'm happy to answer any questions you have about my painting." I would like to know why you chose the flower street. Luisa: "II was looking for something characteristic of the city, although I don't know Krefeld, I like to work with what I perceive as typical for the respective location from my own perspective. In the cities there are always very typical things, for example in the architecture. This can vary greatly in different countries. Different colors and architectural styles show typical country features. In addition, the individual functionalities are important for the cities. The creativity of the inhabitants of these cities is also reflected there. In this case, while checking Google Maps, I found the Flower Street attractive and interesting and decided to depict it. In the end it stops being that place and the painting becomes a reflection of the city itself, it's decor, a reflection of those who live there." Annotation: This intention surprised me a little. Luisa easily transports a "simple" streetscape into an interesting, decorative work of art and encourages me, as a newcomer to Krefeld, to delve into the history of the city of Krefeld once more. Did you choose the location for the photo yourself? Luisa: "Yes, I found this position suitable for my project." Could you get to know Krefeld a little better? n? Luisa: Not really, just the route that took us from the hotel to the building where we painted. I was looking forward to visiting the Josep Beuys Museum. I like to ask the artists about anecdotes, mishaps, special moments and sometimes what color they paint/spray with. Luisa: Perfect. When you attend events where multiple people work together, everything is an anecdote, every moment becomes relevant and part of that story. At the beginning, when everything starts, you gradually approach others with great curiosity to know who they are and what they do. For me it was the first time I used scissors or a crane. I was a bit nervous but luckily everything went well and I enjoy using this machine. In general, I really enjoyed painting and I was satisfied with the result. I have only painted walls very few times before, so it was a special experience for me to be invited to this event. I used a range of shades of gray for my rendering. I usually work like this when engraving, so I reduced the landscape, which actually had purple colors, to this area. If I understand your answer correctly, your picture has no direct relation to Beuys, does it? Luisa: The picture has something to do with Beuys, maybe a little more far-fetched. I rely on Beuys' statement that anyone can make art. With his social sculpture, he also said that art is a possible tool of social transformation. Under these two premises, I think it is possible and interesting to be able to see your city, your street, your house from a different point of view and/or from a different perspective. In this case from the perspective of the foreigner and from above. Everything is possible, something new, different and maybe even beautiful. So we not only see the same old Krefeld, but the creativity of those who build is in it. Those who inhabit these peculiar and original spaces, the result of an artistic construction. A construction that has formed over time. If we go further and think of a distant future where we may not be anymore but there will still be some ruins, we will see all of this as a reminder of past lives and it will be that the architecture or remains of it at the the end is art." I really like your style in black and white. Someone said you always paint like this. What made you do it? Luisa: "Well, I'm not a real painter. I am an engraver. I engrave on linoleum, foamed PVC, metal etc. . I have painted in public spaces other times, but more than painting, I have made large-scale drawings. I can say that I really painted for the first time in Krefeld. Since I was able to work through the topic in shades of gray that were easily accessible to me, I really enjoyed this exercise." Annotation: I liked this idiosyncratic, classic depiction of the flower street right from the start, when the first outlines were sketched. The black and white representation is so different from the other partially colorful representations. It is amazing and remarkable that the artist does not necessarily come from the street art direction. She gives us Krefeld a piece of Krefeld as art and gives the viewer the freedom to associate this picture with Beuys or simply find it beautiful. Is there a title for your picture? Luisa: "Not really. It could mean "black and white flower street". Source: Luisa Estrada personally Annotation: Finally, a little bit of history about the Blumenstraße in Krefeld. There are probably no reliable findings as to where the flower street got its name from. It is believed that the name refers to the gardens outside the then city walls relates. The street has existed since July 18, 1837. There were several houses with in-house weavers on Blumenstrasse. The importance of home weaving was last seen at the time of the Franco-Prussian War. Poorer weavers from the area moved to Krefeld and urgently needed cheap housing. Among other things, 40 blocks of houses were built on Blumenstrasse between the West Wall and the Ringstrasse. Behind the elaborately decorated facades of the so-called three- or four-window houses were small, open apartments without water and sanitary facilities. 5-9 families are said to have lived so cramped in these houses. Since the weavers needed good light, the looms were placed by the windows. At the beginning of the 19th century, with the advancing industrialization, the importance of home weavers decreased rapidly. A steel mill was built in front of the town and a port was built. Krefeld became an industrial city. A little of the former charm of the Blumenstraße has been preserved in a few listed buildings. Source: WAZ 16.11.2012. Thanks to Wolfgang R. Krefeld for his support in researching Blumenstrasse Info Luisa Artist information Luisa Estrada Name: Maria Luisa Estrada Sanchez (Luisa Estrada) Luisa Estrada is a visual artist based in Mexico City. The inhabitants and everyday life in the big city inspire her. In her work she tries to capture the dynamism and unique character, enormous scale and unnatural landscapes of cities. Luisa favors a graphic technique in which she manually engraves reliefs in PVC material, linoleum and wood and prints them on handmade paper. She studied at the Universidad Nacional Autónoma in Mexico, (UNAM), 2002-2008, and at the National University of Colombia (2005). She received her Masters in Visual Arts from the Academy of San Carlos UNAM in 2012. She is co-director of the Ruta Grafica Mexico collective and a member of the Sistema Nacional de Creadores in Mexico City. Source: official information of City of Krefeld You can find the newspaper article here (...) . Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

DAZ Studio - General and Promo Bilder zurück Promo Bilder I Art ©Samara Blue/Kerstin Ellinghoven Elna Fairy - Fee der Vergänglichkeit Elna Fairy - Fee der Vergänglichkeit Elna Fairy - Fee der Vergänglichkeit Ein Spaziergang im Wald/A Walk in the Wood Meine Zeit/My Time Folge deinem Engel/Follow your Angel Hailey ©3DLoki I Art ©Samara Blue Hailey ©3DLoki I Art ©Samara Blue Hailey ©3DLoki I Art ©Samara Blue Valentina©3DLoki I Art ©Samara Blue Valentina©3DLoki I Art ©Samara Blue Valentina©3DLoki I Art ©Samara Blue I recently had the opportunity to create promo images for a digital artist. Find also here: Rendersosity: SamaraBlue's Galerie auf Renderosity Renderhub: 3D Render Gallery by Samara Blue at RenderHub Krefeld im April 2024 Weiter Just DAZ - Giving pictures a home Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion Young Fashion All images that cannot be assigned to a specific DAZ gallery will be found here. Did you like these pictures? Please leave a comment SamaraBlue - Urbexart/ lady-sahmra-photo@gmx.de

Streetart I Graffiti I Murals I Dokumentation in Wort und Bild I Documentation in words and pictures I Streetartphotography I Marion Ruthatdt I Deutschland I Internationale Straßenkunst I Gefährdung der Natur I Last Timeto Change I Silk City Gallery 2021 Krefeld I Krefelder Perspektivwechsel I Kultur I Kultur in Krefeld I Kuratorin Fredda Wouters I Samara Blue I Seidenweberhaus Marion Anfang street Art - Marion Ruthardt/Germany "Last time to change " return youtube Homepage3D * Homepage * Facebook * Instagram On the 1st floor of the Seidenweberhaus we find a beautiful picture with a horse, more like a painting, by Marion Ruthardt. Artist info (...) Annotation: When I visited again, I struck up a conversation with an elderly lady. I explained this picture to her as far as I could. When considering whether the horse would probably also be rolled over by the tidal wave or whether it is safe because it is part of nature, we came to no conclusion. After a moment's thought, she explained to me very confidently that where the horse was, the frame was still intact and that there was definitely a place where we could go to safety. Well, I haven't looked at the picture that way. But it was an interesting conversation, especially to see/hear how other visitors interpret a certain picture. So this art in urban space has already fulfilled its purpose. Infos Marion R. Artist information Marion Ruthardt Marion Ruthardt: "The narrow framework is the framework of industry and civilization, which nature ultimately cannot hold. It will break out at some point, as can be seen from the floods at the moment. The horse is also a part of nature, which breaks out. And ultimately the more staying power, when humanity has already wiped itself out, nature is still there. All signs point to the fact that nature has really had enough now. So the ship has to be turned 180 degrees now. In my opinion, it will don't work." Source: Marion Ruthard: personal * * * Marion Ruthhardt , born in Rheinhausen, was introduced to art early on, through a father who drew and the first art teacher, Volkram Anton Scharf. That's why she quickly switched to the field of nature and art after the classic basic education (high school, Abitur, higher commercial school). First she trained as a gardener in Kevelaer, near the city of Geldern, where an international street painting competition takes place every year. She only took part there for fun. Later, as an autodidact, she continued to develop in such a way that her passion for painting became her profession. In Geldern she rose to the master class and won a number of street painting competitions in Italy, Bodenwerder and Wilhemshaven. First as a classic copyist - but for several years now only anamorphic images have been in demand. This leads to orders from all over the world. Together with the street painter Gregor Wosik, she created numerous XXL 3d pictures and even received an entry in the Guinness Book of Records with a street painting of 750 m². She also helped with the creation of an XXL Megalodon Shark in Florida together with many other international artists to set a new world record. Since 2019 she has also been creating many individual works of art, which has given rise to new ideas and paths for her. Since then, to her great delight, there have been more and more commissions for facade and wall painting as well as for the design of electricity boxes, which helped her during the difficult time of the pandemic for artists and has aroused her interest as a new experience Source: official information ofCity of Krefeld You can find the newspaper report here:(...) Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Streetart I Graffiti I Seidenweberhaus I Silk City Gallery 2021 I Krefelder Perspektivwechechsel I Michele Buscio I Straßenmaler Italien M. Bucio Anfang street art - Michele Buscio/Italy "The new direction " return youtube Facebook If you walk past the beautiful horse on the 1st floor to the next staircase, dark boats by Michele Buscio catch your eye. A rtist info(...) Artist information Michele Buscio Infos M. Buscui Annotation : Fortunato Depero (March 30, 1892 - November 29, 1960) was a versatile Italian painter of theItalian Futurism . My first thought about Michele's painting style was Cubism. During further research on the Internet, I then learned that this art movement actually wanted to differentiate itself from many things, including Cubism. Since in my opinion one cannot write any reports about it without a well-founded basic knowledge in artistic matters, I will leave it with the words below from Michele, who was kind enough to send me his intention for his picture. I just like it very much and I don't need more words on this. You can find a few thoughts and feelings in thepicture series . Michele : "Hello Kerstin, this is a copy of Depero, a futuristic painter of the 1930s. The picture is a homage to Beuys, who as a teacher instructs his students like the gondolier does with his trainee. Kind regards, Michele" Source: Michele Buscio personally * * * From Reichelsheim (Odenwald) Michele Buscio originally comes from Molise (central Italy). He fell in love with a German woman in 1985 and has lived in Germany ever since. Since retiring from work, he has been engaged in painting. He is self-taught and has developed into a plaster painter over the years. He has already taken part in various festivals in Germany, Italy, France, the USA and Mexico. In months without festivals, he draws and paints portraits of friends, acquaintances and street art colleagues. He often rides his bike to festival events. Source: official information ofCity of Krefeld You can find the newspaper article here:(...) Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Special Friends I Ungewöhnliche Paare I Besondere Beziehungen I Soulful Minds I Dreamtime I Samara Blue I Samara Blue My Way of Art I Digital Art I Digital Ilustration I Digitalart I Virtuel Photograpy I Poesie I Feelings I Sayings I Lyrics I DAZ Studio Soulful-Minds - DAZ I Best Friends feat. Lily Rose zurück Unusual Couples I Special Relationships I Extraordinary Friendships The world, the real and the fantastic, is populated by the most diverse individuals. People tend to categorize everything in appropriate or inappropriate categories, in a familiar, i.e. "decent" order. This provides security. But is this also real, interesting, realistic and desirable? Lily Rose - A Young Girls Dreams Lily Rose About the dreams, visions and secret wishes of a young girl in this ancient world Lily Rose is a young girl, not really still a child but far from being an adult either. She lives with her family somewhere here on our planet, goes to school, meets up with her friends and actually does all the things that teenagers do these days. But one night everything is about to change. See introduction picture 1. 4. Lily Rose meets the Lady Faun 3. Folge den weißen Wolken - Follow the white clouds 2. Black Unicorn 1. Alles nur ein Traum?/All just a dream? Beste Freunde I Best Friends Weiter Anker 2 Whether you laugh or cry together, friendships should always have a certain lightness as well as loyalty. The world, the real and the fantastic, is populated by the most diverse individuals. People tend to categorize everything in appropriate or inappropriate categories, in a familiar, i.e. "decent" order. This provides security. But is this also real, interesting, realistic and desirable? Decide for yourself or let yourself be inspired by these images. Das Märchen von Pia und dem Wolf Unverhofft kommt oft/Unexpected often comes Magie Kriegerin der Herzen Fly free, my little friend Der Froschkönig Goldener Käfig Die Liebe ist ein seltsames Spiel And the Winner is ... Dreams never die When love turns to ice ... Golden Magic Steampunk Fairy Tale Time Sei dein eigener Held Sei anders WILD & FREE - Weltenretterin WILD & FREE - Stärke WILD & FREE - Alone WILD & FREE I Friends Dark Wedding Manchmal sehe ich Manchmal träume ich Manchmal bin ich still Dark Friendship Snow is falling Load More In this folder, special pairings, extraordinary friends, couples or multiple relationships are collected without any evaluation or view of the person, just as they spring from my imagination. And how my creative abilities correspond with those of my PC ;-). My Poetry Album for Adults... Did you like these pictures? Happy to leave onecomment :-). SamaraBlue - Urbexart/ lady-sahmra-photo@gmx.de

Urbexart I Verhaltenskodex I Take nothing but photographs, leave nothing but footprints, keep nothing but memories! No goes! I Samara Blue I My Way of Art I Dreamtime SM Code of Conduct for Urbexers return Other people's property is respected Every abandoned place has an owner, even if they don't seem to care. That is to be respected. As urbexers, we do not destroy anything and do not open doors and/or windows by force. We treat everything we find with respect! Take nothing, leave nothing That would be theft. Our impressions, which we capture with the camera, remain as memories. A Lost Place is not a free dump. It should go without saying that no rubbish is left behind. No spraying Many spots are decorated with countless motifs. I refuse. Not only because it's forbidden, it also changes the spirit of the place and thus violates the Urbexer Codex, even if some sprayers are true artists. No smoking For me, as a non-smoker, that's easy. If the smokers among us don't want to go without, a small pocket ashtray does a good job and usually looks stylish. Especially on hot, dry days, you should be extremely careful with open fire because of the increased risk of fire. For the sake of completeness, the glass balls should also be mentioned here, with which ambitious photographers like to achieve special effects. They act like a magnifying glass! Always be mindful and careful, detailed planning in most cases we are on a kind of "construction site". The buildings can be dilapidated, supporting metal parts rusted. Components from ceilings etc. can fall. The floor may contain hidden nails or the like that could injure you. Not to forget that toxic gases and the like. can escape. The dangers can be as diverse as the different spots. For this reason it is always advisable to conduct detailed research on the place to be visited. You can inform yourself well beforehand in forums etc. if you plan to visit a mine, a shaft, etc. Unfortunately, there have been a number of accidents here recently, including those of obviously experienced urbexers. Never go alone It is best to go in pairs or threes. If someone is injured, one can get help, the other stays with the injured person. Also, you can't be sure who else is in a place like this. Copper and similar metal always encourages theft, and people may have sought shelter there who do not necessarily react friendly to visitors. Gear There are many very detailed reports on the net about the equipment. Ultimately, everyone will find the right/necessary equipment for themselves. But I would like to give some basic recommendations here: sensible shoes with firm soles, preferably good hiking shoes or work shoes that do not let any sharp parts, eg rusty nails, through. I got myself S3 work shoes. Torch, two-way radios, as cell phone networks tend to fail at important moments, and of course the camera/camera cell phone, depending on your preference. Park discreetly No additional explanation is really needed here. Just look around and think about what curious fellow citizens might notice. It's worth taking a few steps to do this. Observe traffic/parking regulations! Do not make locations public Really finding cool spots is not that easy. That's basically a good thing, because these places are not only frequented by history and photo buffs. In addition to the wanton destroyers and the ubiquitous sprayers, the guild seems to have grown massively in recent times to include the young adventurers. Young people who think it's cool to get a kick out of something forbidden. The deserted place is not in the foreground here, but unfortunately more and more irresponsible behavior. It is therefore very important that the addresses are handpicked and passed on. Think beforehand whether the person to whom you entrust your place will continue to treat it in your interest. No photo posted, no matter how great, should be worth unnecessarily discrediting the Urbex scene and yourself. SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Kiefernstraße I Graffiti I Streetart I Hausbesetzung I Düsseldorf I Kernpompetenz Kiefernstraße Düsseldorf, Kiefernstrasse - core competency resistance return The unexpected often happens. Or how a tip from a colleague turned into a passion. Since a young colleague was sufficiently aware of my passion for photography, I got the tip in spring 21 to take a look at the colorful street in Flingern-Süd. She also had a photo ready, a rainbow house. Well, as so often, I had my camera with me, the street is not far from the office and so I spontaneously drove to Kiefernstrasse on April 1st, 2021. Dort angekommen war ich ziemlich geflasht von of multiplicity, the color and the multitude of "colorful houses". With what felt like 1001 pictures in my luggage, I came home quite late that working day. But it was worth it. It all started with that first picture. A lot of supposedly special little things only struck me when I was editing the pictures on the PC. But who designed these houses so beautifully and why? Most houses Little by little, I delved deeper into the turbulent history of the Kiefernstraße to find out that there is much more to it than just a few "colorful houses". However, one by one ... Two special streets in Düsseldorf are also making a name for themselves beyond the city limits. The feudal shopping mile Königallee and, so to speak, as an alternative to it, the Kiefernstraße in the Flingern-Süd district, known among other things as the street of artists. The Kiefernstraße owes its degree of fame to the squatting in the 1980s and to its tireless resistance to the modern urban development plans of the city of Düsseldorf. Former squatters still live there today in regular tenancies. In the mid-1980s, Kiefernstrasse was associated with the RAF. Her eventful history coupled with her alternative way of life and her inflexibility towards the city administration give her and the residents of Kiefernstraße a special value. Even beyond the residential area, people identify with life and living in the Kiefernstrasse. This first information taken from "Doc Google" also makes a more intensive look at the entire history of the street extremely interesting for me as a "non-Düsseldorfer". Location: Located on the edge of Flingern-Süd, Kiefernstraße borders on Oberbilk. With the commercial areas and disused industrial plants all around, the Kiefernstraße looks like an island of residential development. Separated from other residential areas by 2 main roads, this street is an approx. 380 m long microcosm in which approx. 800 residents from up to 45 nationalities and the most diverse social affiliations have found a home. In the 19th century With industrialisation, the railway was also introduced in Düsseldorf, an important new means of transport. The first section connected the district of Gerresheim with the former main station at Graf-Adolf-Platz. The route crossed the Erkrather Straße and led over the Kiefernstraße. This was the first railway line in West Germany, the "Düsseldorf-Elberfelder Eisenbahn", which went into operation in 1838. The lower part of today's Kiefernstraße was then called Pfeilstraße. Around 1900 Connected the Kiefernstraße, which at that time was still called Ruhrtalstraße, the municipal gas works with the boiler forges, rolling mills and wire drawing works on Fichtenstraße and in Oberbilk. The Kiefernstrasse was inaugurated on September 30, 1902 to create modern living space close to work. Gradually, the development of company apartments followed. From 1908, the then Cologne company Kaiserstein AG built exemplary small apartments in the middle of the industrial conurbation with around 40,000 workers under the direction of the Düsseldorf architects Rudolf Wilhelm Verheyen and Julius Stobbe 21. The housing, built from a social point of view, should contribute to improving the social situation of the workers and their families . These were properties belonging to the operator of the neighboring boilermaker, Jacque Piedboeuf. Between 1908 and 1910 the houses Kiefern 1 - 37 and Kiefern 6 - 12 were built. The three houses Kiefern 14 - 18 were built by the "Düsseldorfer Bau- und Sparverein" at about the same time under the direction of the architect Fritz Hofmeister. But what exactly do these new social housing units mean? What made them so new and desirable for workers? The building description by the architect Verheyen provides information here. Among other things, he described the need for workers to have housing close to their place of work. Where many people are accommodated in a small space, it is all the more important to consider well thought-out logistics. As an absolute novelty, bathing facilities were made available in the administration buildings. In the basement, showers and tubs were installed in small, closed cells that were available to the tenants for little money. For example, a shower bath cost 5 pfennigs and a bath 10 pfennigs. A caretaker was hired for care and maintenance. Some of the self-contained apartment units had a separate toilet, which was usually behind the apartment entrance. As revolutionary as the new type of housing was, not all apartments had their own toilet. In many houses, several tenants shared a toilet, which was usually located halfway up the stairwell. Obviously not much has changed in this situation to this day. Such an administration house (probably the Düsseldorf company Eisen- und Drahtindustrie) may like the Badehaus in the Kiefernstr. to have been 4 Not particularly conspicuous in the row of houses, so occupiedan old photo from 1906 of its special importance. The picture could have been the opening ceremony of a restaurant or breakfast room. You can see the finely dressed-up tenant or operator family Allekotte, who, in addition to all sorts of physical well-being, also offered accommodation with meals and a shower bath in the courtyard. So everything that one could desire for well-being in the simple framework at that time. The facade of the pines 4 should still be largely preserved. House No. 4 currently houses the "Culture Bureau Pine Street" (K4) . With a revitalization of the Kiefernstraße in 1981, the grocery store run by the elderly Mr. Sobbek experienced an upswing again. For many years he has run this business with two saleswomen and a full range of products. He was able to continue his business for a while until his retirement, when he was greeted with a boozy celebration. Afterwards, the Greek tenants Jannis and Maria continued to run the food trade for a few years with a greatly reduced range. Friendly conversations and sometimes letters kept the good contact with the residents alive. After Jannis found a new field of activity as a pub owner in Bilk, Ricarda ran a kiosk for a while, which over time became a meeting place with outdoor seating whenever the weather permitted. After that, the premises stood empty for a long time. Until the "Kulturbureau Kiefernstraße 4" rented the premises to set up a gallery for exhibitions, readings and various art projects. This work was funded by the cultural office of the city of Düsseldorf. In January 2019, the team changed again. The focus of the old bathhouse was now on the meetings of the residents, for street meetings to continue the fight for affordable housing together. From time to time the premises are also to be used for extracurricular history lessons. So much for the story of the pines 4. The more recent history of the entire Kiefernstrasse is as eventful as it is enduring : After the Klöckner works, as the successor to the Düsseldorf iron and wire industry, closed their rolling mill on Fichtenstraße 40 (today's Zakk) in 1975 and sold them two years later together with the company apartment on Kiefernstraße to the city of Düsseldorf (property office of the city of Düsseldorf), work began like recent history. In 1977 the owner was the municipal housing association Düsseldorf (DÜWOGE), which offered residents a "lure bonus" of 1,000 DM if they would renounce their right to live on this street. Although affordable housing was still scarce, evictions began in 1977. The houses were gradually emptied and prepared for demolition by bricking up the windows and destroying the sanitary facilities. According to plans by the city of Düsseldorf, a new commercial area should be created here. The city council therefore decided in 1978 to formally designate Kiefernstrasse as a redevelopment area. As a result, the houses at Kiefern 7, 9, 35 and 37 were handed over to the social welfare office, which mainly housed African refugees. By 1981, more than 100 apartments had been abandoned by the former residents. However, the housing shortage was still great. In the summer of 1981, the city handed over 50 apartments in 4 buildings to the association "Aktion Wohnungsnot eV", founded in 1972, with the promise to make another 50 apartments available in September 1981. This promise was not kept. As a result, in the fall of 1981, another 50/60 apartments were occupied. Through the intervention of the "Wohnungsnot eV", the city legalized the squatting through usage contracts, but did not want to accept further squatting, since the living space was needed for refugees. In some of these apartments, mainly African refugees were accommodated by the social welfare office. Further occupations followed, against which approached the city with criminal charges of coercion and trespassing, and subsequently lost contact with the city. Together with the neighboring alternative communication center "ZAKK", over 600 signatures were collected from the residents, which were passed on to the city with the demand to rethink urban planning and leave the much-needed living space to the residents. The city didn't move, however. The residents began to organize themselves by means of house meetings and street plans and began to renovate the living space, which had been neglected for many years, on their own initiative. When squats were evicted throughout the city in 1982, some of the affected residents also moved to Kiefernstrasse. Only when the forces in the district council and in the council shifted in the course of local elections in 1984 were contacts with the city administration resumed, albeit hesitantly. Most of the asylum seekers were resettled and the houses at Kiefern 35 and 37 were rented out again. In 1985, the asylum seekers from houses 7 and 9 in Kiefern were also resettled. The following year these houses were also squatted. When RAF member Eva Sybille Haule-Frimpong was arrested at 4:30 p.m. in the Dolomiti ice cream parlor in Rüsselsheim on August 2, 1986, together with 2 residents of Kiefernstrasse, a major raid followed with 800 police officers in fast vehicles. The heavily armed special task force, equipped with visor helmets and bulletproof vests, stormed several apartments. They had waited the whole night before they got the news of the successful arrest in Rüsselsheim. The two companions, aged 23 and 27, were suspected of having been couriers for the Red Army faction and having connections to the militant core of the Düsseldorf squatter scene. After the name and place of residence of the two were known, access was possible. Terror investigators from the Federal Criminal Police Office searched Kiefern 1, where one of the men is said to have lived. As a result, the Kiefernstrasse became the center of attention in Germany. The arrest of Eva Haule and her companions was in connection with the assassination attempt on July 9th, in which the Siemens manager Karl Heinz Beckurts and his driver Eckhard Groppler were murdered. With Ms. Haule-Frimpong was a fully loaded, large-caliber SIG-Sauer pistol, which came from an RAF raid on a gun shop in Masdorf on November 5, 1984, as well as other ammunition and various forged ID cards. No weapons were found during the search of Kiefernstrasse, but vast amounts of documents were found. Over the next year there were repeated raids, demonstrations and large-scale police operations. The pine road was temporarily blocked by the police. By 1988, 6 residents of Kiefernstraße were arrested on suspicion of terrorism. From the then CDU General Secretary Helmut Linssen, the Kiefernstraße in the NRW state parliament as "Zentrum des terrorism in the BR 5cde-3194-bb3b-136bad5cf58d_ designated. After long debates and renewed squatting, it came about that in 1988 limited rental contracts could be concluded with all residents which were extended 10 years later. When the leases were due to expire in November 2008, the residents were strong again Photo Feb 1988: Werner Gabriel/Hans Jürgen Breuer - Montage: Krebs/Radousi - Permission to publish: Jon Blos Artistic appreciation At the beginning of the new millennium, the artistic upgrading of the Kiefernstraße slowly started. From 2003 the "Kulturbureau Kiefernstraße" began with the artistic implementation of the new house facades. The previously occupied houses with the odd numbers were gradually given a colourful, partly socially critical design in different stages in consultation and with the support of the house residents. The new look should match the flair of the Kiefernstrasse. In 2004 were created by the artist group"color fever" about Klaus Klinger under the motto "More beautiful living on the Kiefernstraße" the houses Kiefern 1 - 5 are colorfully designed. The painting extends from the corner house of Kiefernstraße/Fichtenstraße to the side of Fichtenstraße where the "ZAKK" is located at Fichtenstraße No. 40. In 2008 the "5 times 5" campaign started. Here 5 different houses are again elaborately painted under the aegis of Klaus Klinger. Gradually, the painting took place on the odd houses up to house no. 37. House no. 10 on the even side was painted in 2012 and with the "Afrikahaus" by Karsten Breidenbroich, the last house was painted in 2016. One must not forget the site fence, which is a place for artistic meetings at regular intervals. The special thing about the Kiefernstraße is shown in the fact that the street art and graffiti works of art are largely spared from external scribblings. Since 20 different houses own 20 different stories, you can find them in their numerical order here . At least as far as I can find out. In most houses, one or two pictures are not enough to convey the many pictures in the picture, symbols on the walls and ideas from the artists and residents. For this reason there is a small gallery for each house. At this point I would like to thank the artistKarsten Breidbroich Thank you for the friendly telephone interview, which gave me interesting insights into the "making of" the "Afrikahaus" (Kiefern 12). When looking at the pictures that the photographer Jürgen Wintermantel-Menze gave me permission to use, I have the feeling that I was there myself. The Gallic Village - core competence resistance this is how an article from March 5th, 2019 in Coolibri titled die Kiefernstraße. Because the Kiefernstrasse community sees itself just as defensively when it comes to preserving their living space. Here you will find an insight into the diverse activities of the Kiefernstraße community to preserve their living space, which they fought for with so much commitment: *Planwerkstadt378-HANDELN: CITY THINKING - Invitation to the participation process (... ) *For Social Urban Planning - Poor people get kicked out! No hotel construction (... ) *Flingern Can't be eaten - June 26th, 2019 meeting of the district representatives...(... ) *For A Rebellious City - Peace to the Shacks! War on the palaces! Demo (... ) *Statement on the current developments - protest is worth it! But: (... ) Progressive modern development of the surrounding commercial areas is currently putting the Kiefernstraße under pressure. The desire of various investors and project developers to build micro apartments and hotel complexes in the upper price range in the immediate vicinity has caused massive resistance from the residents of Kiefernstraße . Together with the rest of the district, the people have so far been quite successful in defending themselves against various misplannings in the city. For example, (as of 03/19) 140 student apartments are to be built for Cube Real Estate, both as single apartments and shared flats, as well as a hotel with 280 rooms and a day care center. Yesterday as today, the residents want to ensure that opportunities and space are created for all citizens, especially in their district. It is enormously important to them that not only people with higher incomes, but people from all social classes have adequate living space that they can pay for. Everyone should be able to live according to their preferences. There are no management consultants or lawyers here; artists, craftsmen, physiotherapists and musicians live here. People here know Susie from 12 or Ahmed from 35, the surnames seem to be of secondary importance. A lively neighborhood should be created and maintained, in which people can get to know each other if they like. Accepting each other and offering help when needed. Music and art should also be given space here. The residents want to actively participate in the political and cultural events in their city. They want to be able to determine their own interests. Participation in them important. The Kiefernstraße sees itself as a unique and progressive way of life and an example of functioning social interaction. They reconcile different life preferences and different cultural backgrounds in a socially acceptable way, so to speak. It has been recognized that different cultures and social statuses offer the opportunity to participate in one another. In this way, Kasper Michels, who was one of the first residents of Kieferstrasse, brings the lifestyle of Kiefernstrasse to life even for "non-Düsseldorfers". Its informative city walks he currently runs Corona compliant online. The Kiefern, as the residents of the Kiefernstraße like to call themselves, have an extremely autonomous residential community. Changes to the buildings are decided democratically. When repairs are needed, you first lend a hand before a caretaker is called. If apartments in the Kiefernstraße become available there, the community decides who can move in there. A basic rent for everyone ensures a piece social justice. The Kiefern organizes itself through various committees and working groups. They continue to decide on the design of the house facades. In this very difficult environment, there is a very high level of social competence. They think that people who can afford expensive hotels and apartments would not feel comfortable in this environment. They would be better off in other parts of the city. This is the statement of a resident who lived in Kiefernstraße for 2.5 years in 03/19. According to Kaspar Michels in an interview with Collibri, published March 5th, 2019, the planned large-scale construction projects are harmful to the identity of the entire Flingern district. People have fewer and fewer points of identity and anchor points that connect them with "their" district. It should not be about maximum economic utilization of building land. Rather, it must be ensured that, for example, working-class families can continue to find affordable housing in Düsseldorf. If this were barrier-free, that would also be an improvement, for example. The above resident also considers day-care centers and facilities for refugees and the homeless to be desirable for the pines. In tireless joint work, the residents have now found 3000 like-minded people in a signature campaign in 2019. Apparently, the district council has now given in. There were/are discussions with the parties involved, which were definitely perceived as pleasant and productive. But this story doesn't end there. It will continue to be written... But first, the 40th birthday will be celebrated in August 2021. You can be excited but also be sure that despite Corona, a special event will take place. Krefeld in April 2021 Sources/items: 1.wikipedia, 2.360° tour of Pine Street - Kaspar Michels 3. pines.og 4.mao-projekt.de 5. www.farbfieber.de 6. Coolibri from 05.03.19 7. "They call is small pairs" - Kaspar Michels Rundgang WAZ from .... 8th RP Online from 08/27/2013 9. WAZ from 16.05.2019 Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de

Male I Männer I Men I Kerle I Guys I Helden I 3DArt I Ilustration I DAZ Studio I Vintage I Dreams I VIPS I Amy Winehouse I Sean Connery I Dreamtime I Visions I Motivation I Inspiration I Storytelling I Followyourdreams I Samara Blue I Samarasart I Samarasworld I Samaraslyric Soulful-Minds - DAZ Studio I Männer & VIPs zurück As the lords of creation have so far led a shadowy existence on my homepage, they now have their own gallery. The second gallery on this page will feature well-known stars and starlets. Guys, dudes, male beings And remember, ladies, the man is a gift from God! Pay homage and honor him ... ©Ralf Kohl Subculture - Male Portrait/Respekt, Akzeptanz, Toleranz Fühle meinen Schmerz Einsam und unvollständig JONAS - DER LETZTE BRIEF Unvergessen - Unforgettable BLIND PAIN VIPS - Very important Persons Weiter Stumbled across Sean Connery by chance, Amy Winehouse can be added later Special, famous people who will have their own gallery for the time being. We'll see if and how they fill it. At the End - Tanze einen letzen Tango mit mir In Memoriam - Auf der Suche/On search Geflogen, gestolpert, gefallen - Flown, stumbled, fallen Did you like these pictures? Please leave a comment :-). SamaraBlue - Urbexart/ lady-sahmra-photo@gmx.de