Wandschmuck, Walldecoration, Home, digitalart, Homesweethome, Samara Blue, Dreamtime, Poster, Kunstdruck, Printler, digital photography, print art, motivation, inspiration, ki, aiart, aicommunity Viele neue Motive Samara Blue - digitalart - poster Let your apartment become a home with my pictures return ⚡️ SUMMER FLASH SALE WEEKEND: 30% Rabatt auf ALLES! Some of my pictures are now at Art Print Manufacturer PRINTERS as a poster print. Just stop by. Printerler works with high-quality, environmentally friendly paper. You can also choose different sizes and frames. The selection is continuously changed and added to. You might find something suitable. If you want something specialjust text me . So it's worth checking back every now and then. (Klarna, card, direct debit or instant transfer). Even though I am now distancing myself more and more from Ki-generated pictures, I will keep the few I have here for a while longer, as these pictures are also part of my artistic development. Von Baum zu Baum/From Tree to Tree Diese entzückenden kleinen Gesellen, die zur Gattung der Baumhörnchen gehören, sind ausgesprochen vielseitige Geschöpfe. Sie können ihren buschigen Schwanz nutzen, um sich selbst Schatten zu spenden und sich bei Kälte damit zu wärmen. Die meisten der 29 Arten leben auf dem amerikanischen Doppelkontinent, nur 4 Arten, davon sind in der Alten Welt beheimatet und diese sind überall in Europa bis weit nach Asien verbreitet. Sie haben alle einen weißen Bauch und die Färbung ihres Fells ist von der Farbe der Bäume in ihrer Umgebung abhängig. Landläufig ist bekannt, dass sie sich von Sämereien und Nüssen ernähren. Doch soll es einige Opportunisten geben, die auch an Insekten, Eiern und Küken Geschmack finden. Dass sie in diesen Fällen auch Nestraub betreiben, scheint ihnen aber niemand übelzunehmen. Als zu Hause bauen sie bis 4-5 Kobel, in denen sie auch ihre Jungen aufziehen. Die "Damen" lassen sich zur Paarungszeit von geneigten "Herren" umwerben und entscheiden selbst, wem sie letztendlich ihre Gunst gewähren. Diese interessanten Fakten sind nur ein kleiner Teil dessen, was es über diese possierlichen Wesen zu sagen gibt. Mach ihnen und auch dir doch mal die Freude und schaue dich mit ihren Augen um. Spring mit ihnen von Baum zu Baum, fühle, wie durch die Luft gleitest, wie es riecht in deinem Wald, in dem du die nächste Generation großziehst und ihnen alles für das Leben beibringst. Letztendlich auch nichts anderes, als das, was Menscheneltern tun. -Samara Blue/Kerstin Ellinghoven These adorable little fellows, which belong to the tree squirrel genus, are extremely versatile creatures. They can use their bushy tails to provide themselves with shade and to keep warm in the cold. Most of the 29 species live on the American double continent, only 4 species are native to the Old World and these are distributed throughout Europe and as far as Asia. They all have a white belly and the colour of their fur depends on the colour of the trees around them. They are commonly known to feed on seeds and nuts. However, there are said to be some opportunists that also enjoy insects, eggs and chicks. However, no one seems to hold it against them that they also rob nests in these cases. At home, they build up to 4-5 boxes in which they also raise their young. During the mating season, the ‘ladies’ allow themselves to be wooed by willing ‘gentlemen’ and decide for themselves who they ultimately grant their favour to. These interesting facts are only a small part of what there is to say about these cute creatures. Why don't you give them and yourself the pleasure of looking around through their eyes? Jump with them from tree to tree, feel how they glide through the air, how it smells in your forest where you are raising the next generation and teaching them everything they need to know about life. In the end, it's nothing more than what human parents do. -Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop & div. Fotoapps Ein bisschen Pippi Lotta/A little bit Pippi Lotta Das haben wir noch nie probiert, also geht es sicher gut. -Astrid Lindgren Was mögen die beiden wohl noch nie ausprobiert haben? Bestimmt etwas Spannendes oder wenigstens etwas Lustiges oder sogar Verbotenes. Anders wäre nämlich langweilig und langweilig war Pippi Langstrumpf ja nie. Wenn wir Tierbabys beobachten, ob im Zoo, daheim oder im Internet, erfreuen wir uns immer an den drolligen Spielen, den manchmal unbeholfenen Versuchen, irgendwo heraufzuklettern, etwas zu suchen oder zu fangen. Entdeckerfreude pur, kaum Angst oder Vorbehalte. Kommt noch ein Freund oder eine Freundin dazu, macht es noch einmal so viel Spaß. Beste Freunde für immer? Wann haben wir diese kindliche Entdeckerfreude verloren? Wann sind wir vermeintlich ernsthaft und vernünftig geworden und haben dabei auch ein wenig Spaß und Unvoreingenommenheit verloren? Warum nicht mal die Welt aus den großen Augen eines neugierigen Tierbabys betrachten? Mit ihm gemeinsam wie Kinder die spannende, noch unbekannte Welt entdecken und mit ihm auf seine Weise erobern? Vielleicht fällt es uns Menschen dann etwas leichter, die Natur mit ALLEN Lebewesen achtsam zu behandeln. -Samara Blue/Kerstin Ellinghoven What might they never have tried before? Probably something exciting or at least something fun or even forbidden. Otherwise it would be boring and Pippi Longstocking was never boring. When we watch baby animals, whether at the zoo, at home or on the internet, we always enjoy the funny games, the sometimes clumsy attempts to climb up somewhere, search for or catch something. Pure joy of discovery, hardly any fear or reservations. If a friend joins them, it's even more fun. Best friends forever? When did we lose this childlike joy of discovery? When did we become supposedly serious and sensible and lose a bit of fun and impartiality in the process? Why not take a look at the world through the big eyes of a curious baby animal? Discover the exciting, still unknown world together with it like children and conquer it in its own way? Maybe then it will be a little easier for us humans to treat nature and ALL living creatures with respect. -Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop & div. Fotoapps Hinter der Schönheit/Behind the Beauty Wie leicht kann sich hinter bezaubernder Schönheit, Bosheit, Hass und Falschheit verbergen. Im täglichen Kampf um Schöner, Klüger, Reicher verliert sich oft der Blick auf die Wahrheit, das Wesentliche, das Echte. Man lässt sich von anderen blenden, was sie vorleben und als begehrenswert definieren. Frechheit und Falschheit als Mittel zum Zweck. Vielleicht sollte man ab und zu einen Blick durch die Augen der Schlange als uraltes Symbol für Falschheit und Manipulation werfen, um eher die Gefahren, die um uns lauern zu erkennen und unsere Wertvorstellungen und unser Handel zu überdenken, bevor wir uns im Sog der falschen Träume mitreißen lassen. Auf der anderen Seite aber ist auch die Schlange ein Lebewesen dieser Erde und hat ihren Platz in der Gemeinschaft von Menschen und Tieren. Ein Blick durch ihre Augen als Lebewesen kann uns Menschen den Blick auf die so verschiedenen Lebensräume und Überlebensfähigkeiten dieser faszinierenden Reptilien erlauben und so vielleicht dafür sorgen, dass wir durch mehr Wissen weniger Ängste gegenüber diesen Tieren empfinden. -Samara Blue/Kerstin Ellinghoven How easily malice, hatred and falsehood can be hidden behind enchanting beauty. In the daily battle to be more beautiful, smarter and richer, we often lose sight of the truth, the essentials, the real thing. We allow ourselves to be dazzled by what others exemplify and define as desirable. Cheekiness and falsehood as a means to an end. Perhaps we should occasionally take a look through the eyes of the snake, an ancient symbol of falsehood and manipulation, in order to recognize the dangers lurking around us and rethink our values and our actions before we allow ourselves to be swept away in the maelstrom of false dreams. On the other hand, the snake is also a living creature of this earth and has its place in the community of humans and animals. A look through their eyes as living creatures can allow us humans to see the very different habitats and survival skills of these fascinating reptiles and thus perhaps ensure that we feel less fear towards these animals through more knowledge. -Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop & div. Fotoapps Giftige Schönheit/Poisonous beauty Im Regenwald entlang des Amazonas leben ca. 1.000 Arten aufregender Frösche mit bunten Farben, riesigen Augen und fantasievollen Mustern. Märchenhaft auffallende Exemplare der Tierwelt. Einige sind durchsichtig, andere hochgiftig. Sie leben im Wasser, auf dem Boden der Regenwälder oder auf den riesigen Bäumen, die dort wachsen. Von winzig klein bis ziemlich groß ist alles vorhanden. Sie können nicht nur durch ihre Lunge, sondern auch durch ihre Haut atmen. Deshalb benötigen sie immer Wasser in ihrem Lebensraum, damit ihre Haut nicht austrocknet. Wie bei den Baumsteigerfröschen kann die Haut am Rücken aber auch deren Gift enthalten und bei kleinster Berührung durch einen Feind abgegeben werden. So klein sie sind, so unterschiedlich und wunderschön sind sie, wahre Meisterwerke der Natur. Bestimmt leihen sie uns Menschen gerne mal ein Auge, um mittels diesem einen Blick auf ihren Lebensraum, ihren Teil von Mutter Natur zu werfen zu lassen und uns neugierig zu machen, was es noch alles über diese faszinierenden Lebewesen zu wissen gibt. -Samara Blue /Kerstin Ellinghoven The rainforest along the Amazon is home to around 1,000 species of exciting frogs with bright colours, huge eyes and imaginative patterns. Fabulously striking specimens of the animal world. Some are transparent, others highly poisonous. They live in the water, on the ground in the rainforests or on the huge trees that grow there. They range from tiny to quite large. They can breathe not only through their lungs, but also through their skin. This is why they always need water in their habitat so that their skin does not dry out. As with the tree climbing frogs, the skin on their backs can also contain their poison and be released at the slightest touch by an enemy. As small as they are, as different and beautiful they are, true masterpieces of nature. They certainly like to lend us humans an eye to let us take a look at their habitat, their part of Mother Nature, and to make us curious about what else there is to know about these fascinating creatures. -Samara Blue /Kerstin Gerd Ellinghoven Made with DAZ I No Ki I Postwork Paintshop & div. Fotoapps Eleganz trifft Balance/Elegance meets Balance Sei ein Flamingo in einer Welt voller grauer Tauben, lass dich nicht aus der Balance bringen, sei stolz, stets elegant und immer du selbst. -Samara Blue/Kerstin Ellinghoven Wusstet ihr, dass Flamingos ohne große Anstrengung auf nur einem Bein stehen können, weil sich ihr Körperschwerpunkt über das Standbein schiebt und sie sogar einen Art Arretiermechanismus haben? Dieser sorgt für die Stabilität, sodass sie sogar im Schlaf stehen können. Für das Stehen auf beiden Beinen hingegen müssen sie aktiv Muskelkraft aufwenden. Flamingos sind entgegen dem Glauben, dass sie nur in tropischen Gebieten vorkommen, in nahezu allen Gebieten der Erde zu finden. In den Anden brüten Arten in Höhen von ca. 3500 - 4700 m, im Winter leben sie in Gebieten, in denen die Temperaturen bis auf -30° absinken können. Rosarote Allrounder sozusagen, über die es noch so viel mehr zu wissen gibt. Wunderschöne, höchst interessante Tiere, die es wert sind, auch ihre Welt immer wieder durch ihre Augen anzuschauen und als schützenswert zu erleben. -Samara Blue/Kerstin Ellinghoven Be a flamingo in a world full of gray pigeons, don't let yourself be thrown off balance, be proud, always elegant and always yourself. -Samara Blue/Kerstin Ellinghoven Did you know that flamingos can stand on just one leg without much effort because their center of gravity is shifted over the supporting leg and they even have a kind of locking mechanism? This provides stability so that they can even stand while sleeping. To stand on both legs, on the other hand, they have to actively use muscle power. Contrary to the belief that they only occur in tropical regions, flamingos can be found in almost all areas of the world. In the Andes, species breed at altitudes of around 3500 - 4700 m, and in winter they live in areas where temperatures can drop to -30°. Pink all-rounders, so to speak, about which there is so much more to know. Beautiful, highly interesting animals that are worth looking at through their eyes again and again to see their world as worth protecting. -Samara Blue/Kerstin Ellinghoven Color your life - Regenbogenfarben ... Kommt, lasst uns die Welt bemalen In Regenbogenfarben Wir wollen sie überall Regenbogenfahnen Kommt, kommt, lasst die Welt erstrahlen In Regenbogenfarben Man sieht sie überall Regenbogenfahnen ..." (Regenbogenfarben/Kerstin Ott) So viele Farben sammeln sich in jedem Regenbogen, sind auf den Blumenwiesen der Welt zu Hause. Diese gemeinsam durch durch die Augen diese Panda Babys, dem Symbol des WWF, zu sehen, sich an ihnen zu erfreuen und sie für unsere Nachkommen zu bewahren, sollte das Anliegen eines jeden von uns sein. -Samara Blue/Kerstin Ellinghoven So many colours gather in every rainbow, are at home in the flower meadows of the world. To see them together through the eyes of these panda babies, the symbol of the WWF, to enjoy them and to preserve them for our descendants, should be the concern of each of us. -Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop & div. Fotoapps Kalt wie Eis I Cold as ice Viel Kälte ist unter den Menschen. Weil wir nicht wagen, uns so herzlich zu geben wie wir sind. –Albert Schweitzer Umso wichtiger ist ein Freund an unserer Seite, der unser Herz erwärmt und der mit uns zusammen die Wärme und das Positive im gemeinsamen Leben auch bei Kälte und Sturm wieder findet. –Samara Blue/Kerstin Ellinghoven There is a lot of coldness among people. Because we do not dare to be as warm as we are. Albert Schweitzer This makes it all the more important to have a friend by our side who warms our hearts and helps us to find the warmth and positivity in our life together, even in the cold and stormy weather. –Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop & div. Fotoapps Wundersame Samtpfoten I Wondrous Velvet Paws Manchmal ist die Welt so dunkel und leer. Das Herz von Kummer so unsagbar schwer. Du bist mir nicht von der Seite gewichen, Ganz sacht in mein traurig Herz geschlichen. Reichtest mir deine Pfote aus Samt. Für immer hält dieses wundersame Band. –Samara Blue/Kerstin Ellinghoven Sometimes the world is so dark and empty. The heart of sorrow so unspeakably heavy. You never left my side, Gently crept into my sad heart. You gave me your velvet paw. This wondrous bond will last forever. –Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop & div. Photo Apps GO GREEN - Be one with our Natur Viele kleine Leute, die an vielen kleinen Orten viele kleine Dinge tun, können das Gesicht der Welt verändern. – Afrikanisches Sprichwort Als Kinder nehmen wir so unvoreingenommen Tiere wahr, nähern uns ihnen freundlich und lassen uns manchmal ein ganzes Tierleben von ihnen begleiten. Diese erhaltene Liebe, Zuneigung und Loyalität sollten wir uns in fortgeschrittenem Alter behalten, um immer mal wieder auch durch die Augen der Tiere unser aller Lebensraum wahrzunehmen. –Samara Blue/Kerstin Ellinghoven Many small people doing many small things in many small places can change the face of the world. - African proverb As children, we perceive animals with an open mind, approach them in a friendly manner and sometimes allow them to accompany us throughout our lives. We should retain this love, affection and loyalty as we get older, so that we can see our living space through the eyes of animals from time to time. –Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop & div. Fotoapps Symbiose I Mensch & Tier Die Fledermaus steht als Krafttier für den Tod und das Jenseits. Spirituell gesehen kann sie den Weg "zu sterben, um wiedergeboren zu werden" zeigen. Erlebt der Schutzbefohlene schwere Zeiten oder ist in Gefahr, kann es sein, dass eines dieser Tiere sich zu dessen Unterstützung in seiner Nähe aufhält, bis die Gefahr vorüber ist. Sie führt ihren Schützling sozusagen aus der Dunkelheit zurück ins Licht. Würdest du in so einer Situation diesem eher unheimlichen Tier folgen? -Samara Blue/Kerstin Ellinghoven As a power animal, the bat stands for death and the afterlife. Spiritually speaking, it can show the way "to die in order to be reborn". If the person being protected is experiencing difficult times or is in danger, one of these animals may stay close by to support them until the danger has passed. It leads its protégé out of the darkness and back into the light, so to speak. Would you follow this rather sinister animal in such a situation? -Samara Blue/Kerstin Ellinghoven Symbiose I Mensch & Tier Pink Side of Life Pink Side of Life Wenn du hier ein rosa Elefantenbaby siehst, heißt das nicht, dass du zu tief ins Glas geschaut hast, sondern dass du dich in meiner neuen Galerie mit "Human Nature - Wonderful Symbiosis" umschaust. 😉 Wenn es sich hier auch um ein rosa Exemplar handelt, so gehört es doch einer ausgesprochen klugen Tierart an, den größten noch lebenden Landtieren. Sie besitzen das beste soziale Netzwerk aller Landsäugetiere. -Samara Blue/Kerstin Ellinghoven If you see a pink baby elephant here, it doesn't mean that you've been looking too deeply into the glass, but that you're looking around my new gallery with "Human Nature - Wonderful Symbiosis" 😉 Even though this is a pink specimen, it belongs to a very clever species, the largest living land animals. They have the best social network of all land mammals. -Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop und div. Photo Apps Symbiose I Mensch & Tier Crow´s Wisdom Sie sind fleißig und scheinen ohne Angst ihren Wegen zu folgen, auch wenn sie unsicher sind. Sie vertrauen ihren Intuitionen und den Tieren, die ihren Weg kreuzen, um sie zu führen, und stehen treu zu ihren Gefährten. Krähen mögen ein Freund des Wolfes sein. Sie sind neugierig, benutzen ihren Verstand und passen sich an. Sie sind nicht wählerisch mit dem, was sie fressen und nehmen immer wieder Zeit zum Spielen. Diese Vögel verschaffen ihrer Stimme Gehör und lassen sich nicht aus der Ruhe bringen. Eigenschaften und Fähigkeiten, von denen wir Menschen uns ab und zu etwas abschauen könnten. Nun ja, einen Wolf zum Freund mag nicht gerade realistisch sein. Auch könnte ich selbst dem Futter von Krähen nicht viel abgewinnen, aber der Sinn dessen, was wir uns von Krähen abschauen könnten, mag klar geworden sein. -Samara Blue/Kerstin Ellinghoven They are diligent and seem to follow their paths without fear, even when they are uncertain. They trust their intuitions and the animals that cross their path to guide them, and are loyal to their companions. Crows may be a friend to the wolf. They are curious, use their wits and adapt. They are not picky about what they eat and always make time to play. These birds make their voices heard and do not let themselves be disturbed. These are qualities and abilities that we humans could learn a thing or two from. Well, having a wolf as a friend may not be realistic. I wouldn't be able to get much out of crows' food myself, but the point of what we could learn from crows may have become clear. -Samara Blue/Kerstin Ellinghoven Made with DAZ I No Ki I Postwork Paintshop und div. Photo Apps Mother Earth - Winter "Der Winter ist für die Natur eine Zeit der Erholung, des Durchatmens, des Runterfahrens und Regenerierens. Die Natur zieht sich zurück, schaltet auf Sparflamme und ruht aus, um nach einiger Zeit langsam, mit neuen Kräften wieder zu erwachen." Samara Blue Blue Beauty - Cold as Ice "Um die Schönheit einer Schneeflocke erfassen zu können, muss man die Kälte in Kauf nehmen." -Aristoteles Den Blick gesenkt, abgewendet vom kalten Licht, erstrahlt ihre Schönheit in eiskaltem, blauen Licht. Unnahbar, beinahe überirdisch zieht ihr wundersamer Kopfschmuck ihre Bewunderer in ihren Bann. Werden sie sich nähern, sich trauen, in ihre eisigen Sphären vorzudringen? Vernarrt und geblendet von eisiger Schönheit? Würden sie eine Begegnung überleben oder in blauem Eis verbrennen als Strafe für ihre Vorwitzigkeit? -Samara Blue "To appreciate the beauty of a snowflake, you have to accept the cold." -Aristotle With her gaze lowered, averted from the cold light, her beauty shines in ice-cold blue light. Aloof, almost unearthly, her wondrous headdress captivates her admirers. Will they get closer and dare to penetrate their icy spheres? Besotted and blinded by icy beauty? Would they survive an encounter or burn in blue ice as punishment for their impudence? -Samara Blue Mutter Natur - Herbst Es wird Herbst. Während die Welt den Atem anhält, atmet Mutter Erde auf. Nachdenklich wendet sie dem schwindenden Sommer ihren Rücken zu. Fast als wäre sie sich nicht sicher, ob sie die Ruhe des Herbstes tatsächlich als solche erleben kann. Ob die Menschen dieser einzigen Erde die Ruhe, die sie so dringend benötigt, auch zu gestehen werden. Hoffnungsvoll denke ich bei mir: "Wenn es sich mit dem Herbst des Lebens ebenso verhält wie mit der Natur, so möchte ich nicht eine Sekunde jünger sein, sondern diesen Lebensabschnitt mit geruhsamen Schritten durchwandern und die unglaubliche Farbenpracht wahrnehmen und genießen!" -Samara Blue Mutter Erde - Sommer SOMMER, SONNE, FARBENRAUSCH ... Die Tage werden länger und heller, die Laune steigt trotz aller widrigen Umstände. Die Natur ist nach vorsichtigem Frühlingserwachen in voller bunter Pracht erblüht. Doch ach so vergänglich ist die die farbige Fülle und der Mensch tut gut daran, sie zu genießen um Kraft zu tanken für die unweigerlich kommenden dunklen Tage. Mutter Erde - Frühling DIE ERDE SPRICHT: Wie soll ich der Menschheit bloß klar machen, dass auch ich verletzlich bin? Dieser unbekannte Verfasser trifft mit wenigen einfachen Worten das immer dringlicher werdende Problem der Menschheit. Wann werden die Menschen verstehen, dass der Planet Erde ein wenn auch riesiges Lebewesen ist, dass von ALLEN, die auf ihm leben, achtsam behandelt werden sollte, damit alle überleben können ... Color your Life - Ride free Manchmal, an diesen Tagen, muss man einfach seinen Roller nehmen, mit dem Wind in die Welt hinaus fahren, um die Farben des Lebens wieder zu finden. -Samara Blue This image was taken to test my toon/pin-up morph. No special lighting or similar was used and, apart from the lettering, no post-processing was carried out. Fly higger - Dream bigger Made with DAZ Studio/No Ki School´s over! Made with DAZ Studio/No Ki UPS, he did it again! Es war einmal ein kleiner Roboter, Barnii war sein Name, mit ziemlich empfindlichen Schaltkreisen. Seine blecherne Haut war dünner als bei seinen Kumpels, was dazu führte, dass es ihm daheim oft zu laut und unruhig wurde. Da er außerdem ziemlich neugierig war, fand man ihn oft bei den Menschlingen an den unmöglichsten Orten. Gerne steckte er sein mechanisches Näschen in Dinge, die für kleine Naseweise nicht unbedingt geeignet waren und seine Lampen glühten bei manchen Anblicken außergewöhnlich hell. Bleibt zu hoffen, dass da nicht mal ein Schaltkreis durchbrennt 😉... -Samara Blue Made with DAZ Studio/No Ki Me for Present... Made with DAZ Studio/No Ki Pin-up - First Contact 🙂 Pin-up Bilder, vor allem die schön alten, Retro mäßigen, haben mir schon immer gefallen. Etwas subtile Erotik, gerne in Alltagsituationen, bringen mit frechem Charme einfach etwas Frisches und Hübsches an die Wände. Nun sind die Zeiten der Spindbilder für Soldaten vorbei und Playboy Häschen gibt es schon genug. Mal sehen, was mir zu "New Pin-up" so einfällt. Hier meine erste Pin-up Beauftragte 🙂. Ein wenig Anlehnung an eine junge "Lili Marlene" unter ihrer Laterne ... Childhood Wisdom - Momente Momente haben oft keine Ahnung wie wichtig sie sind. Der Teufel bin ich "Der Teufel flüsterte mir ins Ohr: "Du bist nicht stark genug, um dem Sturm zu widerstehen." Heute flüsterte ich dem Teufel ins Ohr: "Ich bin der Sturm."... Load More from € 20.90 design suggestions You can find more design suggestions and ways to hang the pictures on the page ofPRINTERS. Add comment: (...) Did you like the pictures? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmara-photo@gmx.de

Streetart I Graffiti I Murals I Dokumentation in Wort und Bild I Documentation in words and pictures I Streetartphotography I Alina Orav I Deutschland I Internationale Straßenkunst I Gefährdung der Natur I Silk City Gallery 2021 Krefeld I Krefelder Perspektivwechsel I Kultur I Kultur in Krefeld I Kuratorin Fredda Wouters I Samara Blue I Seidenweberhaus Alina Anfang street art - Alina Orav/Estonia "Reduplicated Entrance " return Facebook * Homepage * Instagram Hidden, hidden, not visible. A small picture at St. Antonstr. Easy to miss. But very interesting when you hear about its meaning. Artist info (...) Annotation: Alina's picture was something special for me. Located on St. Anton Strasse, it was completely covered by scaffolding through the company sign. That's why I only became aware of it during the week. All I could see was an intense red color and I couldn't really see anything. Despite all my attempts, I couldn't take any sensible photos of the "making off" with me. Following this action, Alina was kind enough to provide me with detailed information about her painting including some photos. For me, these were insightful conversations with Alina Orav, who is remarkably multilingual with English, Estonian, Italian and Russian. We then agreed in English. I decided to reproduce the conversation 1:1 here in the hope that this would best explain what Alina said about her artwork. I will go into more detail on one or the other in the series of pictures, even if this makes the report a little more extensive. This little work of art deserves it! Especially at heart I want the home page der put. It documents the extreme versatility of the still young artist, who is not only concerned with street art. The title of the picture comes from the artist herself. A very big thank you to Alina for her support. I value that as appreciation for my projects :-). * * * Alina Info Alina Orev to her picture Alina 08/05/2021: As you can see in the last photo - the black frame or border is part of the work. Also the windows of the upper floor continue the black frame... There are portals in other portals that are represented in the architecture of the building. Alina 08/05/21: There is also a precise vantage point from which I can photograph my work. It's across the street from the white footprints. You can also zoom in (depending on the camera). But the important part of the work is also above the painting. I play with the architecture of the existing building. Alina 08/10/21: I admire the geometric architecture of the silk weavers house. The line where the architecture ends and my painting begins is optically merged. The painting continues the architecture. The shape of the building from a bird's-eye view is reminiscent of a step pyramid, which adds a lot of historical context. Following this idea, I have depicted portals within portals on the surfaces of the structure. The painted image can be perceived as a counterpart to the step pyramid. According to Carl Gustav Jung, houses in dreams can represent the psyche of the person who perceives them. In this sense we have reached the inner child - the heart of the building - fragile, immaterial, almost fading into the wall of its heavy, robust, physical, protective concrete temple. * * * Questions to Alina 08/10/21 as a supplement to her explanations Question: Do you have a title for your picture or did I miss it somewhere? ;-) Yes. The title is "Reduplication of input". I interpret the title to mean that Alina fitted her painting into the structure of the building's facade, so to speak, and thus created a new, additional entrance. Question: A remarkably sensitive and thorough explanation of your image. I'll have to keep that in mind a few more times as I edit. I also found it fascinating that your picture was the only one that could only be seen properly after the scaffolding was removed. My feeling is that you hid while painting until everything was finished. I don't think that was on purpose, was it? Alina : Yes, the scaffolding situation was given. It was not planned. I myself first saw the work from the photos when the scaffolding was being dismantled. That's why I would be very happy about photos of the work. Question: Can you also tell me something about what the baby is holding? and what does the red ball a little to the left mean? Alina: "The baby is holding a small blue sphere in his hand. If a tunnel is a void, then a sphere is a round object that can be given different meanings depending on the context. The red ball is set in motion by the handrail of the stairs. The red ball is painted red similar to the child. Therefore, they could be related. They also create horizontal movement in the composition of the painting. The ball that the child is holding is of a similar color to the vertical cavities. Therefore, they too may be related or have a similar origin. The blue parts of the painting (including the blue sphere) create vertical movement in the composition. The sphere could also be interpreted as floating in the air due to its vaporous halo." Question: I heard that you recently became a mother :-). maybe it has something to do with your choice of subject? Alina: "The motherhood experience definitely influenced my decision to paint the child." One more thing about the child: if the building is a dream house, then the baby is a fragment of it. It is a symbol of new beginnings, birth of new ideas and also refers to future human generations. Meanwhile in the context of a human psyche - it could be a movement in the opposite direction - back to our childhood, the encounter with our own inner child. However, if the building is demolished, the baby will symbolize the inevitable passage of time - growing up. Also erasing memories." Source: Alina Orac personally Artist information Alina Orav Alina Orav born 1989 is an Estonian visual artist. She is a member of the Estonian Artists and Painters Association. She received her master's degree from the Estonian Academy of Fine Arts in 2017. She has also studied at universities in Florence and Vancouver and practiced anamorphic illusion art in London 2013 and Amsterdam 2015. She also did an internship in animation (2018) in Volda. For 16 years she has presented her works nationally and internationally at various solo exhibitions. She also showed her art at group presentations and street art festivals in Estonia, Germany, Denmark, Netherlands, Italy, Finland, Russia, Latvia, Iceland, Canada, Japan and the USA. Alina Orav has also been a curator of various group exhibitions in Finland and Canada. In 2017, Alina received a grant to develop the Polyview image - a painting that can be viewed and interpreted from different specific perspectives, each time showing a different individual composition. In 2018 she presented her invention at a world congress of the International Federation of Theater Studies in Belgrade. In the same year she presented her first multi-perspective animation at Tallinn Art Week. Alina's work can be found in private collections in Estonia, Finland, Sweden, Germany, Italy, England, Iceland, Russia and the USA. Source: official information o f City of Krefeld You can find the newspaper article here:(...) Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfAt/lady-sahmra-photo@gmx.de Continue

Samara Blue I Wer bin ich? Was treibt mich an? I Meine Kameras I Meine Visionen I Meine Ideen I Meine Wünsche und Vorstellungen I Urbexart I Dreamtime I My Way of Art I Lost Place I Streetart Kerstin Ellin ghoven aka samara blue- Just Me return Hi, I'm Kerstin Ellinghoven - better known online as Samara Blue . This name comes from my time as founder and dancer of the Moonlight Dancers, a group that combined oriental dance and fascinating fire shows. This creative phase shaped me and the name still accompanies me today on my artistic paths in digital and photo art as well as local photo reportages. How I got behind the camera My love of photography began indirectly with the search for cool pictures of my fire shows. That's when I met Dark Lord Ellia, a photographer and artist from Krefeld - and now my husband. I'm still waiting for the promised fire photos, but I discovered that my place is behind the camera and not in front of it. I dedicate myself to photography with a lot of passion and curiosity, am constantly learning new things and usually let my gut feeling guide me. My old Nikon D700, without automatic controls, is my favorite - it demands real craftsmanship and connects me more intensely with my subjects. Although I don't do photography professionally, I see it as my creative form of expression. I love capturing special moments for people - from emotional weddings and sensitive baby belly shoots to glittering oriental dance shows. Capturing emotional memories for dancers is particularly close to my heart. It fulfills me to give them pictures in which they like themselves - a feeling that for me goes far beyond my own time on stage. Lost Place Fotografie My entry into photography began with lost places - thanks to my husband, who initially took me to such abandoned places. My fascination for the stories and backgrounds of these places eventually led me to create my website “Samara Blue - Urbexart”. Even though my focus today is on digital art, this name reminds me of my photographic beginnings. My approach was never to cover as many spots as quickly as possible. I wanted and still want to feel the atmosphere of the places, discover their stories and bring them to life through my pictures. Every project is time-consuming: from discovering the places to researching, selecting and editing the photos. I consciously take the time to capture the uniqueness of each place and gather background information. Lost places, often forgotten buildings from recent history, are more than just backdrops for me - they tell of life that once was and stimulate the imagination, allowing us to participate in long-gone history. Lost Place Streetart & Magische orte Urban art and special places I came to the subject of street art rather by chance. Many of my photos show colorful graffiti and urban artworks that were simply too good to gather dust on my hard drive. Fascinated by the stories behind these works, I began to research artists and find out their intentions. It gets particularly exciting when artists like Ben Mathis, Klaus Klinger or Karsten Breidenbroich share their insights. The Kiefernstraße in Düsseldorf with its beautifully colored houses remains a project close to my heart - a vibrant hotspot of urban art that is constantly changing. I am also always fascinated by the regularly recurring urban art events in Krefeld. They not only offer inspiring works of art, but also the perfect opportunity to get in touch with artists. These encounters give me a deep insight into their creative processes and enrich my view of their works. As a Krefeld native, my photographic heart naturally goes out to the regularly recurring urban art events. In addition to great pictures, there are also many opportunities to get in touch with the artists and gain a deeper insight into their creative process. I am also interested in unusual places with history or a special atmosphere. One example of this is the Schlaraffia Crefeldensis in “Et Klöske” - a fascinating place that I had the opportunity to photograph. It was a very special encounter, as women are not usually allowed in here. Projects like this give me the opportunity to make stories visible and capture places in a special way. Urban art and special places - for me, both combine photography and curiosity in their most beautiful form. Urbanart Krefeld 2023 Urbanart Krefeld 2015-2021 Dü-Kiefernstraße Magische Orte Digital art & Lyric Digital art is my main focus at the moment - a creative focus that fulfills and inspires me. Thanks to my husband, I discovered DAZ Studio, a medium that allows me to create diverse scenes with characters, animals and environments. Perspectives and lighting are similar to real photography. Even though this work requires patience, practice and lots of experimentation, I find it a fascinating way to create images and often complement them with suitable words. This often results in small, magical stories. During the pandemic, this kind of creativity became an important part of my everyday life - and it still is today. I am particularly proud that some of my works are sold through the art print publisher Printler. This motivates me to try out new themes and processing options - even if not every experiment succeeds. Artificial intelligence in my work: I look at the topic of AI with interest, but use it sparingly. I rarely use AI for backgrounds, as it is important to me to have as much control as possible over the process of creating an image. For me, AI remains an exciting but complementary tool that will probably be indispensable in the art world in the future. But it will never be able to replace an original photograph that captures real moments. Pictures and words - one unit: For me, pictures and texts often belong together. A picture is only complete when I have found the right text to complement or underline its message. When I write, I see myself less as a copywriter and more as a creative writer. I enjoy organizing thoughts, telling stories and bringing images to life with words - intuitively and with a lot of passion. This is my way of discovering art in all its facets and passing it on. Digitale Art Art Print Publisher PRINTLER HP - design The history of my homepage: The design of my homepage is also part of my creative process. It was originally created to present my dance activities. At the time, I thought long and hard about whether I should write it myself or use a modular system and deliberately opted for the latter. Instead of immersing myself in source code, I wanted to put my energy into content. Today I rely on Wix, but even here it takes more than just clicking a few buttons. Templates have to be adapted, elements put together harmoniously and mobile views optimized. The requirements of cell phones and tablets in particular often require extra fine-tuning. Changes by the provider bring additional challenges - and sometimes it is unavoidable to intervene in the source code, even if I would rather avoid it. Despite all the small obstacles, working on my homepage remains an ongoing project - and I love it! For me, it's like a modern-day glossy picture album from my childhood, and tinkering with it is simply part of it. hobbys My creative passions: Working with the 3D program DAZ Studio and the subsequent post-processing are currently one of my most time-consuming hobbies. There is so much to discover, try out and refine that I never get bored. Photography remains my passion, which I am constantly developing. I still really enjoy holding the camera in my hand and experimenting with new techniques. Reading is essential for me - not a day goes by without an interesting book. Every book that my husband and I get our hands on also gets a permanent place in our home. Cooking and especially experimental baking are also among my favorite pastimes. My husband always benefits from this too, of course! In the colder months, we like to play 'World of Warcraft', another, unfortunately also rather PC-heavy passion. To get away from the screen for a bit, I tend to our organic garden and try yoga, which I hope is a good way to meet new people. Last but not least, I'm rekindling my old passion for designing and tailoring clothes. I finally have a sewing machine again and my fabrics and patterns will no longer be gathering dust in the corner. Lots to do, but I'm looking forward to everything that comes my way - after all, there are 24 hours in a day! My creativity What does creativity mean to me? For me, creativity is an ongoing flow that cannot be captured in rigid rules or measurable results. It is a path that I follow to enrich life with my own unique forms of expression. From handicrafts to art: Even as a child, I made everything I could find. Creative courses and new techniques constantly broadened my horizons. As my experience has grown, I have always found new forms of expression that make me happy - be it through dance, photography or creative photo reportages. Creativity without limits: Photography came into my life over eight years ago when my husband introduced me to the world of digital cameras. With a camera in my hand, the world suddenly felt like a new, limitless creative medium. It was a turning point - and the freedom to create images that I felt myself was like an epiphany. Digital art and 3D design: At the end of 2021, I came across the 3D program DAZ Studio. This new creative world allowed me to experience digital art in a completely different dimension. The process of learning and discovering always challenges me anew. Creativity is spontaneity and emotion: for me, creativity is an interplay of head, heart and soul. It loves the unplanned and unbound. It requires patience and time to unfold. It is the moment in which an image comes into being and, for me, forms a harmonious whole. Creativity is more than technique: creativity cannot be forced according to a plan or a formula for success. It is unpredictable and often comes when you least expect it. But that is precisely what makes it so unique and valuable. My art is my hobby: my art is not a competitive act, but an expression of my personal joy and satisfaction. It gives me the freedom to express myself and to share this inspiration with others, without any thoughts of competition. Creativity as a universal language: I believe that creativity is a universal language that can connect us with each other. It helps us to think outside the box, explore new paths and experience life in a deeper, more colorful way. Conclusion: My art is my hobby, my creative path. It fulfills me, enriches my life and allows me to keep discovering new things. And that is what true creativity is for me - the constant, colorful flow of ideas that never stand still and are not bound by any obligations or conditions. That is a piece of freedom for me. Lots to do, but I'm looking forward to everything that comes my way - after all, there are 24 hours in a day! Standing - Ein Blick hinter die Kulissen In the digital space, many things are often shared thoughtlessly and judged quickly. But not every statement I make reflects my deepest thoughts. Here I share with you some principles that are important to me - the thoughts that I really stand behind. My principles: Follow your dreams. A life without dreams? Not my thing. I will always follow my own dreams, even if they are not easy to realize at times. Quality over quantity: I'm not interested in posting what feels like a thousand pictures every day. If I have something to show, it's good and I do it with conviction. If I can't think of anything, then that's fine too. Just don't huddle. There is strength in calm. I take the time I need. Age is just a number. The path is my goal, even if it's bumpy, and there's always something new to discover, no matter what stage of life I'm at. I don't run after anything or anyone. I go my own way. I find peace within myself, because that is the place that suits me. I can't do anything with “fishing for compliments”. If I like what I have created, then it is good for me. Don't talk about me, talk to me if you have something on your mind. Status, possessions and intelligence mean little to me. The true value of a person lies in the way they treat me and others. I like myself with my strengths and weaknesses. If I want to learn something, then I do it. But I don't have to be able to do and like everything because others do. There is no such thing as perfection. I am open to new things and welcome honest criticism, but even without feedback I stay true to my path. Anyone who wants to can accompany me part of the way, but no one will tell me where to go. For me, respect, honesty, tolerance and loyalty are the basis of every relationship, whether in the family, among friends or elsewhere. Some things have to grow and develop. Nothing can be forced. That's what drives me. To be creative, to grow and to go my own way, in my own personal way, and to feel free and alive in the process. With this in mind, have fun browsing and be patient if it takes a while for a page or a topic to be finished. It's my time :-). Your s Samara Blue Krefeld in November 2023

Urbexart I Haus der Puppen I Lost Place Photography I Lost Place I Verlassene Orte I Rottenplace I Samara Blue I My Way of Art I Dreamtime Lost Place - House of Dolls return What awaited me in this house of dolls, I wondered all the time on the way there. After some searching we ended up in front of a rather inconspicuous little house on the edge of a country road. In Gedanken hatte ich während der Fahrt einige Bilder vor meinem inneren Auge Revue passieren lassen, die ich bisher im Internet vom "Haus der Puppen" so gesehen hatte. Leicht gruselige "Chucky die Mörderpuppe" Impressionen kamen mir spontan in den Sinn. Beim Näherkommen empfing uns erstmal allgegenwärtiges Chaos. Doch was genau hatten wir erwartet? So, nun standen wir vor der Tür. "Tretet ein ins Haus der Puppen ... Don't think twice, come in, be careful and look. Tretet ein ins Haus der Puppen ... In meiner Freude über einen neuen Lost Place hatte ich ehrlich gesagt so eine Unordnung nicht erwartet. Mein entsetzter Blick fiel in einen schmalen Flur ... ... und ich erkenne beim genaueren Hinsehen tatsächlich eine Puppe. In der Unordnung nicht leicht auszumachen. Ein Puppenjunge, nahezu kopflos, zerbrochen. Die einst liebevoll zusammen gestellte Kleidung schmutzig und verstaubt. "Ich bin der andere, der andere ist ich. Er ist der Spiegel, der es dem Ich erlaubt, sich zu erkenne. Seine Zerstörung zerstört die Menschheit in mir." (De.Jarofquotes.com) Doch diese Worte beantworten auch heute noch nicht meine Frage, warum Menschen ein Haus, das nicht das eigene ist, so zerstören?!? Warum können sie nicht froh sein, dass man einen verlassenen Ort gefunden hat, an dem man verweilen, Fotos mitnehmen und in Erinnerung behalten kann!? Nackt und lieblos in die Ecke gesetzt ... "Als wir noch klein waren, konnten wir es kaum abwarten erwachsen zu werden. Aber jetzt stellen wir fest, dass kaputtes Spielzeug und verlorene Buntstifte viel besser sind als gebrochene Herzen und verlorene Freunde." (FUNPOT.NET) Das Bad, eine einzige Müllhalde ... "Gelegentlich den Kopf zu verlieren ist keine Schande, solange einem der Verstand dabei nicht abhanden kommt." (Metropolis) Unter Unrat und zerfetzten Dingen schaute ein niedliches Gesicht hervor. Offensichtlich hatte sich hier ein Bewohner für schöne Bilder interessiert. Am Fuß der Treppe in die erste Etage überlegten wir kurz, ob wir wirklich weitergehen sollten. Hatte uns vielleicht einer der Nachbar gesehen? Würde sich das Waten durch Müll und Unrat noch lohnen? "Je älter ich werde, desto mehr erkenne ich, dass ich keine Lust mehr auf Stress, Konflikte und Dramen habe. Ich brauche gutes Essen, viel Schlaf und Menschen, die mich mögen wie ich bin." (www.istdaslustig.de) Für einen Wimpernschlag blieb mein Blick an liebevollen Deko Details hängen. Verstaub und angeschmuddelt ... Weißt du, dass Puppen die besten Freunde sind? Auch, wenn sie nicht sprechen können, hören Puppen, was du sagst. Und hast du gewusst? Wenn man sie allein lässt in einem Zimmer, dann werden sie lebendig.Lebendig? Ja! Aber wenn wir plötzlich rein kommen, sausen sie blitzschnell wieder auf ihre Plätze. Aber wieso werden sie nicht lebendig, wenn wir dabei sind? Wenn wir sie sehen können? Weil es wie Magie ist. Man muss an Magie glauben, damit magische Dinge passieren können." - aus "Little Princess" Recht unterschiedliche Interessen schienen die Bewohner gehabt zu haben. Einsam, verlassen, unwichtig geworden ... Ohne Worte ... "Ich rede bisweilen mit Menschen so, wie das Kind mit seiner Puppe redet: Es weiß zwar, daß die Puppe es nicht versteht, schafft sich aber durch eine angenehme wissentliche Selbstdeutung die Freude der Mitteilung." (Arthur Schoppenhauer) Nachdenklich betrachtete ich diese Puppe mit liebevoll gehäkeltem Kleidchen und stellte mir vor, was die Puppenmutti ihr wohl einmal anvertraut hatte. Ein Lichtblick, der mich schmunzeln ließ :-). Hat hier ein Fotoliebhaber gewohnt? Neugierig googlte ich, was wohl in diesem Buch geschrieben steht. - Erschienen 1989 und aktuell in Antiquariaten zu erhalten. Endlich eine kleine Verbindung. Ein Buch, das vor 31 Jahren erschienen ist. - Siehe Link: Ein weiteres Zimmer, fast noch schlimmeres Durcheinander. Ein großer Teddy, scheinbar unversehrt blickte mich mit freundlichen Augen an. Fast von alleine hielt meine Kamera diese Szene fest. "Teddys umarmen dich nicht zurück Aber manchmal sind sie alles, was du hast. (Deutsche Sprüche XXL) - Dieser flauschige Geselle ist niemandens Freund mehr. Ein flüchtiges Bedürfnis, ihn mitzunehmen überkam mich, natürlich tat ich das nicht. Hinterlassenschaften personalisiert :-(. Damit auch jeder, der hier vorbei kommt, sehen kann, wer schon da war. Wieder einmal cooler, ausgefallener ... Warum muss das sein? Was hat man davon? Sorry, aber ich konnte und kann das immer noch nicht nachvollziehen. Vileleicht sollte man ein Urbex-Gästebuch auslegen ;-). “Wie kann ein erwachsener Mensch seine Jugend nur so vollkommen vergessen, dass er eines Tages überhaupt nicht mehr weiß, wie traurig und unglücklich Kinder bisweilen sein können. Es ist nämlich gleichgültig, ob man wegen einer zerbrochenen Puppe weint oder weil man, später einmal, einen Freund verliert.” ― Erich Kästner, Erich Kästner, Das Fliegende Klassenzimmer - Eine liebe Erinnerung an meine eigene Kindheit. - Wer mag: Siehe Link: Unversehrt und offensichtlich liebevoll arrangiert. Ein Lichtblich am heutigen Tag. Ein wenig heile Welt versöhnte mich ein Stück weit mit der leider realistischeren Szenerie. Da ich mich vor lauter Begeisterung nich für eine Perspektive entscheiden konnte, gibt es noch ein Bild :-) - Nicht nur Chaos ... "Ihre Zeit ist begrenzt, also verschwenden Sie sie nicht damit, das Leben eines anderen zu leben. Lassen Sie sich nicht von Dogmen in die Falle locken. Lassen Sie nicht zu, dass die Meinungen anderer Ihre innere Stimme ersticken. Am wichtigsten ist es, dass Sie den Mut haben, Ihrem Herzen und Ihrer Intuition zu folgen. Alles andere ist nebensächlich." (Steve Jobs) - Der Moment, an dem ich am liebsten die heiligen hallten verlassen hätte :-(. Gedanken, die mir durch den Kopf gingen, während ich überlegte, was Menschen dazu bringen kann, ihr ganzes Leben so einfach zurück zulassen. Und was zum Teu... andere dazu bringt, dieses ehemalige Zuhause eines anderen so zuzurichten?!?!? Ich stand am Fenster im ersten Stock und schaute hinaus. Hinaus in die scheinbar heile Welt. Mein Blick fiel ziellos auf eine scheinbar funktionierende Weltuhr: Sydney, New York, Moskau, Chikago, Rio - surreal ... "Ein wenig komme ich mir vor wie eine Puppe, der ein Bauteil fehlt. Eine kaputte Puppe, die nie ein ganzer Mensch werden kann. Mangelware. Die anderen Menschen gehen an mir vorbei und ich gehe an ihnen vorbei. Sind sie durchsichtig? Oder bin ich durchsichtig? Braucht die Welt mich überhaupt? Bin ich ein notwendiges Wesen? Braucht die Welt mich überhaupt?" - aus "Fruits Basket" von Natsuki Takaya We - Das Waisenmädchen Toru Honda schlägt sich tapfer alleine durch ...Link: Szenenwechsel - ein altes Haushaltsgerät - erstaunlich gut erhalten ... Ein Blick nach oben durch eine teilweise weggebrochene Zimmerdecke gab den Blick frei auf Teile eines maroden Dachbodens. Es wurde Zeit, dass wir diese Etage verlassen ... "Wer nie durch Scherben ging, hat nie gelebt. Wer nie am seidenen Faden hing, weiß nicht wie es geht. Wer nie sein Herz verlor, weiß nichts vom Glück. Wer nichts gegeben hat, der kriegt auch nichts zurück. (Matthias Reim) - Song siehe Link: "Wir gehen mit dieser Welt um, als hätten wir noch eine zweite im Kofferraum." (Jane Fond) - Diese Worte kamen mir ganz spontan in den Sinn, als ich mir meine Umgebung beim Hinausgehen betrachte ... "Derjenige, der etwas zerbricht, um herauszufinden, was es ist, hat den Pfad der Weisheit verlassen." (J.R.R: Tolkien) - Welche Weisheit? "Die Schatten deiner Kindheit, sie lauern noch heute in deiner Seele." (Pinterest) - Aus dieser Perspektive wirkte die Szenerie beinahe friedlich, versöhnlich ... "Jeder Tag hat sein Licht und seine Schatten. Wichtig ist, die kleinen Glückmomente wahrzunehmen, die uns geschenkt werden." (unbekannt) - So ein Bild in der Nachbearbeitung ist für mich ein kleiner Glücksmoment. Nicht, weil es besonders gut geworden ist, sondern weil ich mich trotz des vorgefundenen Chaos gefreut habe, dort gewesen zu sein. "Die Welt wäre ein besserer Ort, wenn jeder das reparieren müsste, was er zerbrochen hat. (VS") - Ich glaube, mein Ärger und die Entäuschung über den Zustand dieses Spots wird langsam deutlich. Ein letzter Blick in die Runde, nichts vergessen? Nun ja ... Even if this spot was not what I had hoped for, it left an impression. A look back, the camera stowed away, the dust brushed off the clothes. All that's left is the drive home... So ganz konnte ich mich doch noch nicht trennen. Vielleicht würde ich ja noch etwas finden, das sich lohnen würde, zu fotografieren ... ... schnell noch ein Blick durch die zerbrochenen Scheiben der Eingangstür, ein letztes Puppengesicht für die Erinnerung. Zweifelhafte Müllentsorgung ... Leider kein besonders romantisches Motiv für Lost Car, aber der Vollständigkeit halber ... Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Urbexart I Besondere Orte I Special Spots I Burgen I Museen I Historie I Geschichte I Fotodokumentation I Vergangenheit I Erinnerungen I Kreative Fotografie I Samara Blue I My Way of Art I Dreamtime Magical places - not only in Krefeld return Museums, monuments and other places steeped in history also offer the opportunity to explore the past, keep track of history and track down dusty beauties. Sometimes I am also asked to photograph and document special places. I am happy to share these vivid photo series if I am given permission to do so. In this way, I learn interesting historical facts first-hand and gain access to places that are not normally accessible to the general public. Please click on the image to view and read. 1. Schlaraffia Crefeldensis 2. Puppenbrunnen Krefeld 3. Wildpferde Dülmen 1. Schlaraffia Crefeldensis I Et Kloeske I Krefeld (...) A look behind the scenes - where women don't normally have access Daten Puppenbrunnen Bitte zu Anschauen und Lesen auf das Bild klicken. 2. Doll's fountain I Krefeld Provisional report The Puppenbrunnen in Krefeld is located at Südwall 30-32, 47798 Krefeld . You can reach it as a pedestrian from the Hansa Center, walking along the pedestrian zone in the direction of Kaufhof. The Puppenbrunnen is located where the pedestrian zone, Neusserstraße, crosses the Südwall. (... ) weiterlesen Puppenbrunnen The puppet fountain is a modern art fountain with six figures that move in different ways and all have a connection to Krefeld. In summer, when the water splashes lively, this is a good opportunity for children to let their companions relax for a while. Depending on how adventurous the kids are, it can be quite a wet and happy affair. For a long time, I couldn't find any direct evidence in my research that this beautiful fountain was the work of Bonifatius Stirnberg, who created a very similar fountain in Aachen at a similar time. Now I am all the more pleased that I was able to find a student of the artist who is still in contact with Mr. Bonifatius Stirnberg. So with his help, with the support of the family and the information I already had, I was able to put the complete history of the doll's fountain in Krefeld on paper. Ok, trust the internet ;-)- So follow me now together with the exceptional artist Bonifatius Stirnberg on a journey through the centuries not only in terms of fashion ... Krefeld im November 2023/Mai 2024 Anker 1 The PUPPENBRUNNEN I KREFELD - Fashion through the centuries Von Samara Blue/Kerstin Ellingenhoven, Krefeld. 02.05.2024 The Puppenbrunnen in Krefeld is a counterpart to the fountain in Aachen and is located at Südwall 30-32, 47798 Krefeld. Pedestrians can reach it from the Hansa Centre by walking along the pedestrian zone in the direction of the former Kaufhof. The Puppenbrunnen is located where the Neusserstraße pedestrian zone crosses the Südwall, slightly offset to the right. It is a modern bronze fountain with six moving figures arranged around a rectangular cuboid. This is slightly larger than the lovingly crafted and detailed figures. The figures and cuboid are located on a round, slightly raised platform made of a kind of concrete, so that viewers can interact with the figures easily. The water drains into a circular depression underneath the fountain, which guarantees that the interacting visitor's shoes are reasonably dry. The name of the company that donated the fountain, Derichs & Konertz, and the dates 1926 and 1976 are apparently also cast in concrete on the side of the platform. It is assumed that 1926 is the year in which the two companies merged. 1976 commemorates the year the fountain was built. Once you have curiously walked around the fountain and taken a look at the various historical figures, you might ask yourself who was immortalised there and for what reason. As I was also very interested in this, I went on a little historical research. Starting with the Internet, which was not really informative about this particular fountain, I became aware of the doll fountain in Aachen. As it is very similar in style to the one in Krefeld, I assumed that it must be by the same artist, Bonifatius Stirnberg. However, I did not find any confirmation of this. But I did come across a gallery that represents the interests of the artist Bonifatius Stirnberg, the builder of the Aachen doll's fountain. I was able to make direct contact with a former pupil of the artist and learnt a lot about this remarkable artist and craftsman in telephone conversations. He confirmed that Mr Bonifatius was also the artist behind the doll's fountain in Krefeld, which took me a long way forward, and sent me a book by the artist. A fascinating book of fountains ... PLAY I CHANGE I UNDERSTAND... The illustrated book ‘Plastiken für die Stadt’ by Aachen artist Bonifatius Stirnberg begins with these interactive verbs. In order to gain a deeper understanding of this beautiful fountain and its significance, I would like to take a closer look at the fascinating artist and craftsman Bonifatius Stirnberg, starting with his biography: *He was born on 20/02/1933 in Freienohl/Sauerland (Meschede). *Only 15 years later, in 1948, he began an apprenticeship as a wood sculptor, which he successfully completed in 1951 with the journeyman's examination. *In 1953, he also completed the subsequent carpentry apprenticeship in the same year with the journeyman's examination. *In 1957, he passed his master craftsman's examination as a wood sculptor in Cologne. From 1953 to 1959, he studied interior design and sculpture at the Werkkunde Schule Aachen. *Even before completing his studies, he worked as a freelance artist from 1958. *From 1962 to 1966, he expanded his repertoire and creative skills by studying at the Düsseldorf Art Academy in the sculpture department under Prof. Josef Beuys. Prof Josef Beuys. *Since 1973 he has been working in his own studio in Aachen, which also includes a separate, well-equipped bronze foundry. All his works of art are produced in this studio, from the initial idea to the final touches. Even now, at the ripe old age of over 90, he can still be found in his workshop in Aachen every day. Stirnberg was obviously very interested in the nature of cities/his city. Houses, building facades, squares, places of interest, green spaces and much more are among the parts of a city that are accessible to all citizens and visitors and that can ultimately also be found on corresponding postcards. However, these cards often present a view that has been embellished with the help of wide-angle lenses and extreme photo editing. Bonifatius Stirnberg obviously has a divergent view of this, which is reflected in many ways in his art. After all, a city is represented by more than just such fair-weather views. Every city has its very own history, starting with its name, which has changed again and again over the centuries, just like its external appearance. We often judge the importance of a city by its appearance. If it is doing well, it is lavishly built and the city flourishes. Evidence of these good times can always be found in buildings and landmarks. Witnesses of the bad times, on the other hand, are often not on public display, but only preserved in special places. You have to explicitly seek them out if you are interested in these topics. It is similar with modern works of art. These, too, are often hidden/carried away in various museums, for which you often have to pay a considerable entrance fee. If you don't want to deal with them, you simply don't go near them. If this modern art then suddenly appears on the outside, e.g. on the walls of buildings, walls or bridges, it is often met with incomprehension. Yet this art could also be a living reminder of past times and historical aspects. Although they will be passed down for a while and told by older people in particular, at some point they too will be forgotten, like the smells of a bakery or the drape of a certain dress tailored according to historical fashion. Dead remains such as walls, stones, etc. often survive for centuries and therefore much longer, but they no longer have a living face. Only old trees can sometimes act as living witnesses to what a person once experienced with them. This is where Balthasar Stirnberg's works of art come in. His figures with lively faces and contemporary clothing are also intended to appeal to visitors with little artistic experience, e.g. children who like to look at, feel and try out the world with unbiased eyes. If public artworks are located in places with a lot of space around them, people often go to these places specifically because they want to see this particular work of art. Stirnberg's artistic fountains, on the other hand, are often found in rather obscure places, at crossroads, narrow alleyways or sometimes on the grounds of nurseries and schools. Inevitably, you come across them again and again in everyday life and they seem to cross people's everyday paths spontaneously. These fountains always have a special connection to the place and/or the city where they can be found. The figures have movable limbs so that the visitor can always move them into different poses and relationships to each other. A voyage of discovery into the past, not just for children, although they are always attracted by the various waterways. So that they don't have to get completely wet after their playful exploration tour, the streams of water in Stirnberg's fountain are designed in such a way that the cheerful water player realises that water is wet and makes them wet if they play too wildly, and can row back a little or flee the danger zone prematurely. Through this unbiased, playful engagement with historical figures, their stories and destinies, young people can often learn more and more easily than in history lessons. This is exactly what art in general, and Balthasar Stirnberg's art in particular, can/should do. The Krefeld Doll Fountain can also be found in the centre of Südwall 30-32, 47798 Krefeld, on the daily footpaths of the people of Krefeld. Although it no longer carries water in the colder seasons, the glittering drops of water quickly cast a spell over visitors hurrying along in the nicer weather. Again and again, someone stops and looks. They feel carefully, then a little more boldly, to see what they can move and how. Usually it doesn't stop with just one spectator. There are several more, so sometimes it wasn't easy to take photos of just the fountain. ‘Fashion through the centuries’ is the title of the Krefeld doll's fountain. A theme that the residents of the velvet and silk city could relate to when it was erected in 1975. It was the intention of the artist and probably also of the donating company Derichs & Konertz that not only the residents could identify with his art in their city, but also that visitors could take something interesting home with them. This fountain is one of Balthasar Stirnberg's earlier works and will be almost 50 years old in 2024. It has already lost a few feathers during this time. Shortly after its construction, a figure was stolen and it was only found again by chance during a police operation almost 20 years later. Unfortunately, there is always some fool who thinks he has to immortalise himself on the work of art by splashing paint on it. In the meantime, the ravages of time are also gnawing away at this work of art and fine moss is spreading here and there. The wooden parts are also not forever immune to wind and weather. But even if Krefeld can unfortunately no longer be regarded as a city of velvet and silk from my point of view, this fountain still stands in its place and demonstrates a piece of immortality, indeed history, with its valuable, basically resistant material. History for the former velvet and silk town on the Lower Rhine and also a piece of artistic history from the life of the exceptional artist and craftsman Bonifatius Stirnberg. Personally, I would be very happy to see the fountain renovated, not least because it is a piece of history for me, but also because the valuable and resistant bronze material used stands for durability and endurance. -Samara Blue/Kerstin Ellinghoven. Krefeld in March 2024 Quellen: Galerie-am-elisengarten.de:Bonifatius Stirnberg - Galerie Petzold - deutsch (galerie-am-elisengarten.de) Plastiken für die Stadt von Bonifatius Stirnberg Emile Paes (ehemaliger Schüler) Krefeld im November 2023/im Mai2024 3. Wildpferdefang 2019 - Dülmen/Merfelder Bruch Continue 3. Wildpferdefang Dülmen About the special honor of being a catcher While looking for 2-3 animal pictures for another project, I stumbled across my folder with almost 900 pictures that were taken in 2019 during a visit to the wild horse capture in Dülmen with my sister. As it's naturally not easy to choose from so many pictures and, as a horse girl since childhood, the wild horses in Dülmen are a particularly magical place for me, these beautiful, wild horses have their own section in my collection of magical places. Enjoy impressions of a wild rodeo around the corner in my native Westphalia. Information about the little horses can be found in the pictures and here (... ) Info Wildpferde weiter lesen Profile: Size: approx. 125 - 135 cm height Origin: Westphalia/Germany Color: Predominantly grey and bay, also black-brown Characteristics: Original pony, frugal, calm, robust Suitability: Riding and carriage pony Use: Children's riding and carriage pony So that the texts do not become too long, I have added further information to the individual pictures. More information Wild horses Dülmen Every year, a spectacular wild horse capture takes place on the wild horse track in Dülmen. Located just west of Dülmen/NRW, wild horses have been living in a herd of around 400 in the wild for what feels like an eternity, without care or human intervention, except for this one day. The day they were caught. The area in which they live is called Mehrfelder Bruch and was first mentioned in a document in 1316. At that time, the habitat covered an area of several thousand hectares, which was continually reduced in size through cultivation and appropriation, so that today, with the Mehrfelder Bruch, they only have around 400 hectares at their disposal. The Duke of Croy's family thus created a reserve which, with around 400 wild horses, is the only one left on the European continent. Even if this sounds small compared to earlier times, it is far more space than is available to the average horse today. Habitat The area, which consists of moorland, heathland, coniferous and oak forests, offers the animals a varied diet all year round, so that they are only fed hay in some places in winter. Otherwise, the wild horses are left to their own devices. They can rely on their instincts, feed themselves appropriately and cope with all weather conditions. They find protection from extreme weather conditions in the forest areas. This way of life means that only the best-adapted animals prevail and can pass on their predispositions/genes to their offspring. This is how the small Dülmen wild horses were able to survive as a healthy and resistant breed through natural selection. Nature reserve wild horse track in the Merfelder Bruch The main purpose of the Merfelder Bruch nature reserve is to preserve nature and the herd living there. Everything necessary is done to ensure the long-term preservation of the herd. The aim is to preserve the habitat in its existing form in the long term, as changes to the biotope would otherwise also change the type of horse through natural selection. The question is repeatedly asked as to why the Dülmen wild horses are being bred rather than conserved. There are two inseparable criteria for successful breeding. People (can) only breed according to measurable and/or visible characteristics. These can include jumping ability, speed, stamina and much more. The second goal is to anchor these traits in the gene pool of the animals so that these traits can be passed on to the offspring as reliably and retrievably as possible. In this way, characteristics such as robust health and natural instinctive behavior can be slowly pushed back from the genetic make-up. In this way, special and valuable original genetic material would be irretrievably lost. This highlights the importance of preserving the original breeds in their natural habitats, as they are subject to ongoing natural selection. These original breeds are called "primitive breeds", which does not imply a negative aspect, but rather refers to the natural value of these species. Since there are only very few herds like these that live almost completely without human contact, behavioral researchers also have a large field of activity here. Appearance and appearance of the horse breed Most of the wild horses are currently bay or brown. They have an eel line running down their backs, which is an indication of the breed's originality. The emerging zebra markings on the legs of some animals also point to their wild origins. At the beginning of the 20th century, wild horses still looked very different. All colors could be found as well as white markings. Due to the small number of individuals, there was a risk of inbreeding and in order to increase the herd as healthily as possible with fresh blood, breeding was continued with various pony breeds. Crossbreeding with Welsh ponies, Mongolian ponies and Polish Koniks expanded the gene pool. No color selection was made here until 1960. It was not until 1984 that care was taken to cross only grey stallions, which led to the fact that most horses today are gray ponies. Theoretically, all colors except grey can still occur today, although the pure chestnut is very rare. The animals have a rectangular body shape, less pronounced withers and sloping shoulders. Their neck is of medium length and slightly curved. The medium-sized head has a broad forehead and small ears and a straight or slightly concave bridge of the nose. Strong hindquarters with small, hard hooves may also be the result of their almost wild lifestyle. In contrast to the Norwegian horses, the Dülmen wild horses have a hanging mane which, like their tails, is very luxuriant. The animals are described as very robust, intelligent and capable of learning. In addition, they have a balanced character and a predominantly good-natured nature if they have a suitable relationship with people, which makes them so valuable for dealing with children. They are rather undemanding in terms of keeping and feeding. They can reach an advanced age of 30-40 if kept in a species-appropriate manner. For these reasons, there are rather few animals of this original horse breed available. Most of them are sold online, even worldwide. Depending on age, pedigree and level of training, these animals can easily cost € 2,500 - 3,000. Another type of purchase are the annual auctions at the Wildpferdefang in Dülmen, where the one-year-old stallions are auctioned off after being caught from the herd. Some information on this can be found in the pictures. Capturing wild horses In order to avoid rivalry with the young stallions, they are caught from the herd every year. This popular event has been held every last Saturday in May since 1907. The exception to this were the years in which social life was practically paralyzed by the coronavirus pandemic. These yearlings are auctioned off at the end of the event. As these robust little horses quickly lose their shyness in front of people and are also known to be smart, good-natured and frugal, they quickly find new owners. Due to their calm character, they are often used as riding horses for children and as carriage horses. Necessity of catching yearling stallions As sexually mature young stallions try to compete with their rivals and form their own herds with the conquered mares, which ultimately also claim their own living space, which is not available in the Merfelder Bruch despite its size, humans must intervene to regulate this. Predators such as wolves and bears no longer exist in our domesticated latitudes and are therefore unable to intervene naturally to regulate the populations. They are driven into the arena with their herd and separated there by hand without any aids in order to keep their first contact with humans as gentle as possible. Although they lose their freedom of the Merfelder Bruch when they are sold, they get used to their new home and their new roommates very quickly if they are kept in a species-appropriate manner. -Samara Blue/Kerstin Ellinghoven Krefeld in April 2024 QueQuellen: Wildpferde im Merfelder Bruch/Herzog von Croy´sche Verwaltung www.ehoreses.de Comment : In 2019, almost 5 years ago, my camera and I were often overwhelmed by the lighting conditions and the fast movements. However, as this day and its images are very close to my heart, I reworked them as best I could. Unfortunately, the quality couldn't always be saved. Krefeld in April 2024 Quellen/Recources: Ein Herz für Tiefe - Dülmener Wildpferde: Dülmener Wildpferd | Alle Infos im Rasseporträt (herz-fuer-tiere.de) Zeitschrift Welt : "Die Herde bedeutet alles" - 25.05.2022 von Andreas Fasel www.hallo24.de Wildpferdefang in Dülmen: Alle Infos für Besucher (hallo24.de) www.die.glocke.de: Wildpferdespektakel: 34 Junghengste gefangen | Die Glocke (die-glocke.de) www.dzonline.de: Wildpferde und Fänger unter sich (dzonline.de) Meine eigenen Eindrücke vor Ort/My own impressions on site Continue "The historian is a reporter who wasn't there wherever something happened." (William Sommerset Maugham ) I'm not a historian, but researching and documenting the history of a place with the means at my disposal is not only a lot of fun for me, it also broadens my horizons immensely. Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de

Streetart I Graffiti I Mural I Dokumentation in Wort und Bild I Documentation in words and Pictures I Streetartphotography I Tiberio Mazzochi Italien I internationale Straßenkunst I Koyote I Hommage an Beuys I Silk City Gallery 2021 I Krefelder Perspektivwechsel I Kultur I Kultur in Krefeld I Kunst I Kuratorin Fredda Wouters I Samara Blue I Seidenweberhaus I aktuelle Situation der amerikanischen Ureinwohner Tiberio Anfang street art - Tiberio Mazzocchi/Italy "Coyote " return youtube Facebook * Instagram Beuys, an Indian, a coyote, more Indians? What might these creatures have in common? Artist info (...) Tiberio Infos Annotation : With this artist, too, one can see that he understood the difficult situation of the people on the theater square and that it depresses him, that he considers a visual representation to be necessary, even essential. The title comes from the artist himself. Artist information Tiberio Mazzoccchi Tiberio: "KOJOTE Street Art work made in KREFELD (Germany) July 2021freehand drawing Beuys' most emotional performance: In 1974 the artist was locked in a cage with a coyote in New York for several days. He only has a felt blanket and a stick, which he describes as "Eurasian". Beuys' goal was to establish a relationship of trust between himself and the animal, a symbol of reconciliation between man and nature, but the work can also be read in a political sense, as a rite of reconciliation between modern-day Americans and their persecuted ancestors and imprisoned on reservations, symbolized by the captive coyote. In my work entitled "COYOTE" I wanted to draw a parallel to Beuys' work and his political message: the marginalization of Native Americans. So I saw that things have not improved to this day.... the people who routinely roam this place called "The Silk Factory" are vagabonds, desperate, drug addicts.... Marginalized and forgotten by society, just like the Native American tribes of North America were persecuted and marginalized." Source: Tiberio Mazzochi FB page/personal * * * Tiberio is a Maestro Madonnaro and musician who studied art and music in Milan. He plays classical guitar and violin and has enchanted audiences with street paintings at festivals in Italy, Germany and the USA. He has won numerous prizes and awards. He received the title of Maestro Madonnaro in Grazie di Curtatone in 2017, after having already won the categories Semplici (Easy Madonnari) in 2013, and Qualificati (Qualified Madonnari) in 2017 with first place. He also won the audience award as the highest award at the International Madonnari Festival Kevelaer in 2019. Source: official information from the city of Krefeld You can find the newspaper report here(... ) Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Haus am Park I Urbex Art I Samara Blue Photo Art I Lost Place I Urbex Art Photography I Urbexart I My Way of Art I Samara Blue I Dreamtime Lost Place - house at the park return An old, abandoned place, unfortunately far too little time to be able to photograph all the furniture and memorabilia left behind. It was an exciting adventure nonetheless. You can find the complete story here: (...) Die Augen noch geblendet von der Sonne treten wir direkt in den Wohnraum ein. Einen Flur gibt es offensichtlich nicht. Eine unwirkliche Atmosphäre aus zartem Sonnenlicht und feinem Staub umfängt mich. Halbdunkles Licht gibt die Sicht auf altdeutschen Wohnungsschick frei. Die Küche - ein Chaos. Leider ein mittlerweile typisches Ambiente für einen derartigen Lost Place ... Ein rotes Herz am Fenster, einst liebevolle Küchendekoration. Ausgerissene Schranktüren geben den Blick frei auf einen Wochenvorrat an üblichen Grundnahrungsmitteln. Zurück gelassen ... Durch trübe Fensterscheiben zeugen ramponierte Gartenmöbel und Überreste von vielen Blumentöpfen von früherem Gartenleben. Schwere, dunkle Wohnzimmerschränke, ein Barfach mit nahezu vollständigem Gläserbestand, verstaubt, ordentlich aufgestellt ... Wenig zurück gelassenes Blümchengeschirr, Videokassetten, eine wunderschöne, alte, verstaubte Puppe ... ... vergessene Einnerungen, war sie das Lieblingsspielzeug eines kleinen Mädchens oder eine Sammlerstück? Stumm ... An der Decke eine einsame Lampe, wahrscheinlich waren die ehemaligen Bewohner einmal stolz auf ihre Erungenschaft. Da, auf dem Sideboard, mein Higlight des Tages. Familienfotos, fast alle in schwarz-weiß ... Scheinbar sorgfältig aufgestellt, einige schon sehr alt, unterschiedliche Menschen, unterschiedliche Mode, so vielfältige Erwartungen an das Leben ... In der Mitte ein strahlender junger Mann, offensichtlich stolz, fotografiert zu werden. Was mag aus ihm geworden sein? Schon im Weitergehen noch mal den Blick über das Chaos auf dem Sidebord schweifen lassen, die traurige Unordnung ausblenden, das Lächeln des Jungen im Gedächnis behaltend. Die kleine Schwester der leicht kitschigen Deckenlampe, meiner Oma hätte sie gefallen ... Schade, dass ich gerade das Tele auf meiner Kamera habe und keine Zeit das Objektiv zu wechseln, keine wirklich guten Bilder ... Das Gästebad mit Trittleiter, noch Fragen? Ein kurzer nachdenklicher Rückblick, wehmütige Gedanken, was man noch alles hätte herausfinden können z.b. an dieser Pinnwand ... The Park House - The Story On a weekend in summer, the three of us spontaneously decided to go on a Lost Place tour. It was supposed to be this unobtrusive apartment building in the nearby Eifel, standing empty for decades, hardly known and not spoiled. * A colleague wanted to get to the back of the house through extensive gardens and let us in through the front door. I didn't want to know more... * Then he sits on a nearby wall, the dog seems to know this, and... actually does nothing, he just lies there. Is that so good? We just want to look. We do that too and stroll into the adjoining very pretty park. Strange is the man with the dog who comes towards us and looks us up and down, after all we were wearing robust hiking clothes. Well, let's take a look at the situation, maybe find a parking space right in front of the house. * "No, that's not good at all." says our gut feeling. "Let's get out of here and at least find another parking space." After we found it and delivered the local colleague to the appropriate fence, the two of us start a leisurely walk to the park. I devotedly photograph the cozy atmosphere, my partner keeps an eye out for the same gentleman. Everything very relaxed. Still ... * The two of us split up and try to keep an eye on this gentleman. Together again we are stopped by a passing postman and asked what we are doing here, he would have already seen such photo people today?!? Ok, I showed him the photos on the camera. He probably liked these, he now tells us trusting and very vivid stories from the area, about the country and its people, the water table and everything else that people don't want to know. * When passing the object of desire, the front door suddenly opens. The colleague has obviously successfully completed her tour through the undergrowth and can open the front door from the inside. So, against my better conviction, I enter the house without any action on my part, so completely innocent. I like human encounters... In the meantime, the attentive citizen seems to have disappeared. Relatively relaxed, I do one more lap. * While we let the atmosphere sink in, the message comes from the third party that the good citizen is probably on his balcony. An unreal atmosphere of sunlight and dust surrounds me. Half-dark light reveals the old German chic of the apartment. The very own spirit of this spot captivates me immediately. It's jumbled and untidy, but nothing messed up or smudged. What might have prompted the former residents to flee so quickly? * Ok, our man outside stays outside. We try to take some photos quickly. But first: where is the escape route? Well, bathroom with stepladder and there should be a ladder outside. That seems doable. What to do?!? It's really a pity to have to get hectic now. * Where should I start? Little time and little experience with the situation, no time to change the lens, bad light. A completely normal job description of an Urbexer. * After a few hectic attempts to photograph the facility, I discovered these photos. Old family photos, black and white, bright people, loving memories, that's exactly what inspires me. Just don't try it for a long time, hold the camera on it and pull the trigger. Then quickly on to the stairs. There should be several floors. What treasures can be discovered there... * It's a pity that I can't handle it so well with the little light. Take another deep breath and try it again from the beginning, try it with a flash... Nice, it works better. Stupid that you can probably see flashing lights from outside through not fully closed blinds ... * Searching the rest of the lower floor, I am reluctant to part from this sight. * But we wanted at least one more flight of stairs up... * A quick look back to the apartment door, in the setting sun everything looks so peaceful too.... * The colleague comes running, excitedly grabbing her equipment. "There's someone at the door. They want in, we should open it..." Needless to say: "We should have ;-)" Oops, where was the escape route... But as it is in such situations, appearances can be deceptive. * Backpack on, camera wrapped around my neck, monopod dragging behind me. Don't feel sorry for the equipment, it's fun :-). It's been a while since the last relay race at school. Windows open, a bit small, but ok. But where the hell is the promised ladder? Well, a good 1m next to the window. I can't do it that fast. A look down: 2m? This is faster. So fell out the window, jump. No, thorn bushes have never bothered me either. * Only the colleague knows the way. She also supports me diligently from behind, where I should turn, preferably a little faster. Interesting what big and overgrown backyard gardens such a city has. Short stop, the camera in the backpack. It has to be that much time, the old Nikon can't do anything about it. Quick check, everything there, nothing broken and no one follows us. A few more steps and we are at the final fence. I can still do this, albeit with a lot of shaky knees. Well, what can I say, it was cool... Info Haus am Park Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArtlady-sahmra-photo@gmx.de Continue

Male I Männer I Men I Kerle I Guys I Helden I 3DArt I Ilustration I DAZ Studio I Vintage I Dreams I VIPS I Amy Winehouse I Sean Connery I Dreamtime I Visions I Motivation I Inspiration I Storytelling I Followyourdreams I Samara Blue I Samarasart I Samarasworld I Samaraslyric Soulful-Minds - DAZ Studio I Männer & VIPs zurück As the lords of creation have so far led a shadowy existence on my homepage, they now have their own gallery. The second gallery on this page will feature well-known stars and starlets. Guys, dudes, male beings And remember, ladies, the man is a gift from God! Pay homage and honor him ... ©Ralf Kohl Subculture - Male Portrait/Respekt, Akzeptanz, Toleranz Fühle meinen Schmerz Einsam und unvollständig JONAS - DER LETZTE BRIEF Unvergessen - Unforgettable BLIND PAIN VIPS - Very important Persons Weiter Stumbled across Sean Connery by chance, Amy Winehouse can be added later Special, famous people who will have their own gallery for the time being. We'll see if and how they fill it. At the End - Tanze einen letzen Tango mit mir In Memoriam - Auf der Suche/On search Geflogen, gestolpert, gefallen - Flown, stumbled, fallen Did you like these pictures? Please leave a comment :-). SamaraBlue - Urbexart/ lady-sahmra-photo@gmx.de

Street Art I Krefeld I TUBUKU I Lifestyle I Graffiti I Design I Urbex Art Street Art - TUBUKU return "Give the world color and it won't see black anymore" TUBUKU, these areYaroslav "Jarek" Masztalerz andAlex Weigandt . Jarek immigrated from Poland and Alex from Kazakhstan, both 35 years old are brothers in spirit and in artistic conception. They spent their youth together in Monheim. You can find out more here (...) in progress Voltaplatz Krefeld - On the way to the moon ... 1/2 The Wall - In the Land Before Time... Das Schöne beim Fotografieren ist u.a., dass man Gleichgesinnte trifft und sich schnell ein Gespräch entwickelt. So erging es mir mit dem Skaterplatz/Voltaplatz in Krefeld. Danke an Reinhard Knittel, der mich an seinen Erfahrungen mit Streetart Fotografie teilhaben ließ und mir den ein oder anderen interessanten Tipp gab. Diese tolle Mauer am Schlachthof Krefeld z.B. kannte ich zwar schon, doch habe ich die Gelegenheit genutzt, dieses Kunstwerk auch mal in seinen Einzelteilen zu betrachten. Dunkel gewandet, die Seele trägt Trauer, unendlich hoch die steinerne Mauer. Ganz leise eine Rose spricht tiefdunkelrot. In Liebe sie haucht: " Steh auf! Noch bist du nicht tot!" (Samara Blue) Beim Tyrannosaurus Rex waren die Nasennebenhöhlen größer als das Gehirn. Scheint bei manchen Menschen auch zuzutreffen. (DERBESTE) "Was kann man von Dinosauriern lernen? Niemandem gehört die Erde ewig." (Ernst Probst) *Garten der Träume* Der Garten ist der letzte Luxus unserer Tage, denn er erfordert das, was in unserer Gesellschaft am kostbarsten geworden ist: Zuwendung, Zeit & Raum. (D. Vincent) Von Bienchen und Blümchen ... „Wenn die Bienen verschwinden, hat der Mensch nur noch vier Jahre zu leben; keine Bienen mehr, keine Pflanzen, keine Tiere, keine Menschen mehr.“ (Albert Einstein) Der Utopist sieht das Paradies, der Realist das Paradies plus Schlange. (Friedrich Hebbel) - Entscheide selbst ... Add comment: (...) Did you like this report? Feel free to leave a comment :-). TUBUKU - WAY OF STYLE Künstlerinfo TUBUKU In order not to succumb to the boredom of Monheim, which was still insignificant at the time, the two had to decide whether they wanted to follow the wrong path or trust in their their should take special paths. Obviously, the two of them weren't after creative activities in night and fog actions, but rather energetic spraying and painting in public space. They don't want to and don't have to hide. On the contrary, they want and should earn money with their artistic craft. The name TUBUKU is made up of the English "too" and the French "beaucoup". This is based on the German saying "Too much of a good thing". In this way they express their way of working, always giving everything, preferably more than necessary, also verbally. They see themselves more as craftsmen and designers than as artists. They are guided by the local conditions combined with the customer's wishes. If a wall needs more paint, they say it should get it. And they are not stingy with energy and color. Her mostly nature-related motifs impress with their intensive, finely tuned coloring, which is intensified by using at least three levels per color and ensures special plasticity. This supports the currently so popular3D style , which was first noticed by DAIM in 1989 as part of street art and was placed on the walls of houses. Jarek and Alex don't want to be seen as artists so much. An artist has an image, an idea in their head that they want to realize, but they see the conditions they find and are inspired by them. However, I do perceive the resulting images as art. As Wikipedia explains, art is a human cultural product, a result of a creative process. The creativity of the two paired with their manual skills creates art in the urban environment. Art that makes people stop and see the world through the eyes of TUBUKU for the moment and possibly exchange ideas with other chance encounters. That's what street art is all about for me personally. It allows me to simply find the pictures beautiful or, if I like, to interpret them for myself, to perceive a whole in individual parts and to add words to them that often only occur to me during post-processing on the PC. But not only motifs from nature originate from the two creative minds. They also bring extraterrestrial worlds to the walls in a lively and colorful way, as is currently the case at Volta Platz in Krefeld. Her sphere of activity has long since extended beyond the borders of Krefeld. With live streams, they let their fan community actively participate in what is happening, especially in Corona times. The customer can obtain comprehensive information about the projects and working methods of TUBUKU via their professional homepage and place orders that are precisely tailored to their interests. Krefeld, April 5th, 2021 (Source: Krone, tubuku.de) SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Datenschutzerklärung I Urbex Art Privacy Policy return Status: 29.10.2020 introduction We ("we", "us", "our") are committed to protecting the privacy of users ("User" or "you") of our website and/or mobile app (the "Website" or " Mobile App”) very seriously and we are committed to protecting the information that users provide to us in connection with the use of our Website and/or our Mobile App (collectively: “Digital Assets”). Furthermore, we are committed to protecting and using your information in accordance with applicable law. This Privacy Policy explains our practices regarding the collection, use, and disclosure of your information through the use of our digital assets (the "Services") when you access the Services through your devices. Please read the Privacy Policy carefully and ensure you fully understand our practices regarding your information before using our Services. 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Streetart I Graffiti I Mural I Urbexart I Düsseldorf I Kiefernstraße I Kiefernbleibt I Kieferngoes40 I Farbfieber e.V. I Straßenkunst Dusseldorf - Pine Street return "Theycallitkleinparis" Two special streets in Düsseldorf are also making a name for themselves beyond the city limits. The feudal shopping mile Königallee and, so to speak, as an alternative to it the Kiefernstraße in the Düsseldorf Flingern district, known among other things as the street of artists. Annotation: Behind the title pictures there are more pictures and information about the artists and houses. Since research and processing are very time-consuming, the individual houses are gradually going online. More information about the history of the Pine Road (...). Kiefern Feeling Die Kiefernstraße -ein besonderer Lebensentwurf. Einblicke, Ausblicke und Impressionen aus der buntesten Straße anlässlich ihres 40.Geburtstages. Kiefern 1-5 - Respect (i.A.) 20.08. - 04.09.2004 "Schöner Wohnen auf der Kiefernstraße" Kiefern 1-5/Ecke Fichtenstraße Klaus Klinger mit dem Farbfieberverein e.V. und den Bewohnern (in Arbeit) Kiefern 7 - Drachenhaus 2008/2009 Ben Mathis Kiefern 10 - Wandbild (i.A.) September 2014 von Olga und MO5K (in Arbeit) Kiefern 11 - Käferhaus (i.A.) 2008/2009 Christian Bolte und Till Martin Köster Aktion (5x5) (in Arbeit) Kiefern 12 - Araberhaus "Ich will doch nur malen." Von einem Mann, der auszog, die ganze Welt anzumalen. Nun, er malte u.a. die Kiefernstraße 12 in Düsseldorf bunt an. :-) Karsten Breidenbroich ist MalKarsten Einen interessanten Bericht einschließlich "Making OFF" findest du hier. Kiefern 13 - Mamorhaus (i.A.) Marmorhaus MAGIC Kiefernstraße 13, 40233 Düsseldorf 51.21890° N, 6.80919° O - "Magic alias Oliver Räke ist einer der bekanntesten Writer Düsseldorfs. Begonnen hat er 1983. Inzwischen arbeitet Räke als freiberuflicher Grafiker, Illustrator und Künstler. Auch er sprühte eines seiner ausgefeiltesten „Pieces“ in der Kiefernstraße. Entstanden 1988, kann man es am Haus mit der Nummer 13 immer noch bewundern. Die Outlines des bewaffneten Characters hat er damals mit Kanüle gemalt, was er heute als ganz schön „beknackt“ bezeichnet." (goethe.de) (in Arbeit) Kiefern 15 - Hausbesetzer (i.A.) 2008/2009 Klaus Klinger "Besetzt Häuser statt andere Länder" Aktion (5x5) (in Arbeit) Kiefern 17 - Puzzle/Bauwagen 2006 Ben Mathis und MaJo Brothers Kiefern 19 - #Raster 1 Sep/2006 Ben Mathis/MaJo Brothers Was du schon immer über "Das Herrmann Gitter" wissen wolltest ... Kiefern 20 - Save the Oceans (i.A.) August 2012 Amione Rettet die Ozeane - so aktuell wie nie zuvor! (in Arbeit) Kiefern 21 - Kinderclub (i.A.) MaJo Brothers Der Kinderclub stellte seine Räumlichkeiten für die Künstler und Bewohner während der Malaktionen zur Verfügung. (In Arbeit) Kiefern 23 - Affenhaus 8i.A.) 2008/2009 MaJo Brothers Aktion (5x5) Die Affen sollen die Charaktere der Bewohner darstellen ... (in Arbeit) Kiefern 25 - Alte Meister (i.A.) Alte Meister lassen grüßen ... Ein äußerst interessantes Haus mit sehr aufwendiger Malerei. Gar nicht so einfach, genauere Informationen hierüber zu bekommen. (in Arbeit) Kiefern 27 - Überblick (i.A.) 2018 Mark Henning/MaJo Brothers Das letzte Haus in der Reihe? (in Arbeit) Kiefern 29 - Regenbogenhaus (i.A.) (in Arbeit) Kiefern 31 - Rätselhaus (i.A.) Thomas Golena Was dabei heraus kommt, wenn der ursprüngliche Entwurf sich nicht verwirklichen lässt ... (in Arbeit) Kiefern 33 - World of Peace (i.A.) 2018 Amione (in Arbeit) Kiefern 37 - Zirkus (i.A.) "The Show must go on! ... mein Arbeitstitel (in Arbeit) Kiefern - Bauzaun (i.A.) Nicht einfach eine Lärmschutzwand sondern eine lebendige Leinwand, die sich verändert und weiter entwickelt. Es lohnt sich unbedingt, immer mal wieder vorbei zu schauen. (in Arbeit) #pine goes 40 Newspaper articles can be found here (...) Add comment: (...) Did you like this report? Feel free to leave a comment :-). SamaraBlue - MyWayOfArt/lady-sahmra-photo@gmx.de Continue

Gothic, dark, darkart, dark side of life, samara blue, darkness, darkmoods, soulfull minds, erotic, dreamtime, vampire, sensual, hell, fellfire, soul, darksoul, black and white, lucifer, sinnlichkeit, erotische fotografie, virtuelle fotografie soulful minds/dark side of life Of the darkness in people's souls return 1. The Devils little sisters (... ) * 2. Dark Art (... ) * 3. Post Apocalyptic Vibes (... ) Devils little sisters 1.The Devils little Sisters Gothic, Punk & other Subcultures Vibes Subculture refers to deviations of subgroups in a society. These can be expressed in mere modification, i.e. the external representation, through to clear counter-positions. ( ... ) The devils little Sister - It´s my life Devils little sister - Dragon Priestess Devils little Sister - Dragon Priestess Der Teufel bin ich Viktorianisches Kindermädchen zu Halloween Die Wahrheit Woody B. and the crows VERZWEIFLUNG - Wo bist du? REBECCA - LOST LOVE Dark Art In this gallery, the enigmatic is intended to refer in particular to women with an (imagined) affinity to the dark side. This imagined mindset is particularly reflected in clothing, stance, attitude and fashion. More or less pronounced tattoos, jewelry, etc. also illustrate this. The coloring of the situation and the individual figures is ultimately up to the viewer's imagination ;-) 2. Dark Art - Morbido Weiter When darkness takes hold of the human imagination People often react very intensely to the horror genre. Like children who read their first scary stories with a flashlight and a blanket, they seem to be drawn to the morbid, the unimaginable, the (... ) Dunkel Liebe/Dark Love Ein letzter Blick Woody B. and the crows Spiel mir das Lied der ewigen Liebe Ein NEIN reicht aus! Rette mich The Monster inside Das Grauen ist überall Wer ist hier Gut und wer ist Böse? Nicht Sehen Die Schöne und das Biest? Nicht Hören VERZWEIFLUNG - Wo bist du? HOFFNUNG - Ich finde dich VERTRAUEN - Du und ich auf ewig MASQUERADE/Wenn die Maske fällt DOLORES - RosesAreRed ISEBELLE - DAS TIER IN MIR EVE - ENTRÜMPELN Nicht Sprechen Blue Moon - Fallen Angel Mein Teufel und ich My Kind of Thinking Abgestürzt I Verloren I Vergessen? Die Wahrheit Dark Art weiter lesen dark things. Because in the knowledge that evil, the gruesome, only happens in their imagination, it cannot become personally dangerous to people. Dealing with these topics is a bit like playing with fire. Everyone has their own particular scary fantasies. And so everyone decides for themselves how much space they give to their own dark fantasies. Apocaliptic vibes soulful minds/dark side of life Weiter Post-apocalyptic visions - just mind games? When everything is too late, the world lies in ruins and no one knows whether or who has survived. Fallen angels, destroyed cities and the question of life "afterwards". Visions of the unimaginable ... Standing in the Rain Fallen Angel Starke Frauen stehen wieder auf Apocalyptic Dreamtime Woman Solidarity Abgestürzt I Verloren I Vergessen? SHADEE - HINTER DEM SPIEGEL Did you like these pictures? Happy to leave one comment :-). SamaraBlue - Urbexart/ lady-sahmra-photo@gmx.de